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One of my favorite art fairs is Spring/Break, since it gives curators and art lovers of all types the opportunity to present displays that celebrate the DIY and quirky energy of the city’s art scene. While other fairs appear to prune and primp their art for maximum market efficiency, Spring/Break takes a step back and allows curators and artists to let their freak flags fly.
This year the fair took over the former offices of Condé Nast in Times Square. The site is a strange setting because of the corporate trappings that displays have to negotiate, hide, or highlight. The theme is “Black Mirror,” and as you’d expect, many artists and curators are preoccupied with the current state of affairs in the US. Katharine Mulherin’s incisive show American/Woman was particularly nice to see, since it riffs on so many symbols of American nationalism, fixating most notably on the US flag. Joe Nanashe’s contribution to the booth is especially satisfying, as the artist pulled out the white “MAKE AMERICA GREAT AGAIN” slogan from one of Trump’s signature red caps. There’s a conceptual satisfaction in imagining the artist confronting this symbol of hate on artistic terms and choosing to erase it.
Another distinctly American flag — that of the traitorous Confederacy — is the subject of Valery Jung Estabrook’s elaborate installation “Hometown Hero (Chink).” Grappling with her childhood growing up Asian American in southwestern Virginia, Estabrook’s display is affectionate but alienating, capturing the strange nostalgia she must feel towards something that has become a ubiquitous symbol of hate throughout large parts of this country.
Ben Sisto’s strange and thoroughly amazing “Museum of Who Let Who Let the Dogs Out Out?” is the other side of the coin, representing the fact that art marches on, removed from the current state of affairs and somewhat inward looking. Curated by Jac Lahav, the display features the results of the artist’s in-depth research into a well-known pop song — Baha Men’s 2000 hit “Who Let the Dogs Out?” — and its real origins. Has he figured it out? Kinda, but the quixotic nature of his journey is equally fascinating.
Also of particular note are Rachel Frank’s wondrous display that successfully walks the line between colonial nostalgia and commercial exoticism, and the eye-catching The Pursuit of “It” show curated by Nicole Grammatico and Christina Papanicolaou, which features work by artists Robin F. Williams, Signe Pierce, Hein Koh, and Hiba Schahbaz.
Here are some highlights from the fair, which feels like it goes on forever.
Spring/Break Art Show continues until through 6pm today, March 6, at 4 Times Square (entrance on W 43rd Street, Manhattan).
The former panels, removed in 2017, featured images dedicated to Confederate Generals Stonewall Jackson and Robert E. Lee.
One researcher, Jürgen Schick, estimated that over half of the region’s historical artworks have been stolen.
The Morgan Library & Museum Presents Another Tradition: Drawings by Black Artists from the American South
This exhibition celebrates the Morgan’s recent acquisition of drawings by Thornton Dial, Nellie Mae Rowe, Henry Speller, Luster Willis, and Purvis Young.
The visual arts institution and educational center is located in the most ethnically diverse urban area in the world.
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Part of the John Michael Kohler Arts Center in Sheboygan, Wisconsin, the Art Preserve also functions as a curated collection facility and is filled with immersive installations.