During Armory Week, people like to gripe about art fairs. There’s a certain art world cred that comes with the disdain people demonstrate towards the realities of the art gallery system being laid bare. The Spring/Break fair is different, not because of the way the art is presented (though that’s somewhat true), but more because of the spirit of this scrappy affair that appears to prize quirky projects that often fall outside the purview of more commercial ventures. Whether you’re seeking a rainbow KKK robe (see Jeffrey Songco), giant Cheetos-looking sculptures (paging Andy Harman), a contemporary take on Judith and Holofernes (um, Rebecca Morgan), or Islamic-inspired tile work with penises (Hossein Edalatkhah’s got something you can look at) you can find it here.
The experience may be overwhelming but the location of the fair in the old Condé Nast offices (currently administered by Chashama) overlooking Times Square is an excellent way to see this part of the city through the office windows all around.
Wander the halls and see mostly independent curator-led projects — some galleries and nonprofits sneaked in — and enjoy the energy that feels like a blend of an open studio event and a more conventional art fair.
Here’s a tour of some of the best I encountered during my visit, and stay tuned for Seph Rodney’s take from his visit to Spring/Break.
The Spring/Break Art Show continues at 4 Times Square (Entrance at 144 West 43rd Street), Midtown, Manhattan until March 12, 2018.
The settlement comes after Tate prevented an artist who exposed sexual harassment by one of its largest donors from co-curating an exhibition.
Let’s be honest: On a best bathrooms list, no one wants to be number two.
The Newark Museum of Art Presents Jazz Greats: Classic Photographs from the Bank of America Collection
Photographers Antony Armstrong Jones, Milt Hinton, Chuck Stewart, Barbara Morgan, and more capture a breadth of legendary and local musicians and performance artists. On view through August 21.
Advocacy groups are pushing for a 5% royalty in resales, which would pertain even after the artist dies, in which case the funds would go to their estate.
This week, the Getty Museum is returning ancient terracottas to Italy, parsing an antisemitic mural at Documenta, an ancient gold find in Denmark, a new puritanism, slavery in early Christianity, and much more.
Art and photographs, publications from the 19th and 20th centuries, manuscripts, posters and more are set to cross the auction block on August 18.
The absence of an explicit framing of American art, in all of its diversity, as a visual culture of empire distorts and hampers our ability to understand — and reimagine — our social world.
The gap between the material body and the psychological one, which we all too often take for granted, is one of the underlying themes of Hiro’s exhibition.
David Rios Ferreira and Denae Shanidiin join forces to bring awareness to the plight of Indigenous women and girls, and LGBTQ+ individuals.
Metrograph’s series The Process features films that were either directed by Robert M. Young or made with the help of Irving Young’s postproduction facility.
Memes depicting a sinister, all-powerful Joe Biden alter ego are sweeping the internet, and the Democratic establishment is loving it.