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Faced with the ubiquity of white supremacy in US culture, some are seeking new, radical ways to shift the conversation to center Black consciousness as a way to combat the poison of white supremacy. Two artists and educators, Shani Peters and Joseph Cullier, founded The Black School to confront such realities. Hyperallergic editor Jasmine Weber spoke to the pair about the role of radical Black education and the “Black art world,” in a special interview that comes on the heels of their residency and exhibition at the New Museum in New York. One of the things they discuss is the group’s tarot cards, which can be purchased in the group’s online shop.
Then Jasmine and I were joined by editor and critic Seph Rodney and contributor Shirine Saad to talk about the new Soul of a Nation: Art in the Age of Black Power exhibition that opened at the Brooklyn Museum last weekend.
And finally, we have our last segment. Earlier this week, LA-based writer Matt Stromberg reported on the “pause” artist lauren woods pressed on her American Monument project at Cal State Long Beach’s museum. The action comes after the museum director Kimberli Meyer was fired. American Monument — a multi-media installation addressing police brutality and the killing of African Americans by police officers — was a project Meyer helped realize, so woods decided that a pause was a necessary act of solidarity in light of the news. Stromberg recorded the roughly 28-minute speech, and we have the recording for those who want to hear it first hand.
A special thanks to Dried Spider for the music to this week’s episode. You can visit driedspider.bandcamp.com, for more information.
Poussin and the Dance is a valiant attempt to break into Poussin’s staunchly academic oeuvre and provide a relatable point of entry, highlighting the exciting elements of revelry and movement despite impenetrable and unemotional rendering.
Anarchist illustrator N.O. Bonzo produces decentralized media in a highly bureaucratic cultural landscape. Their illustrations, murals, and literature emerge in unexpected places, from the streets of Portland, Oregon, to the far ends of Reddit and Twitter, addressing relations of labor and identity in the workplace and on the streets. Growth and care are central themes…
This exhibition explores how images of the human body were used to provoke profound physical and emotional responses in viewers from the 15th through 18th centuries.
With scavenged materials, Amanda Maciel Antunes constructs a motherland.
Where are the directors taking the stage to acknowledge workers’ demands today?
The collaborative handmade paper- and printmaking center at the Pennsylvania Academy of the Fine Arts publishes new works by Liz Collins and Sarah McEneaney.
There is a debate whether the memory of Little Syria should be seized upon to tell truthful and positive stories about Arabs in the US, or whether any conflation between its history and contemporary politics is inappropriate.
The profile includes works by Egon Schiele, Amedeo Modigliani, Peter Paul Rubens, and a prehistoric Venus of Willendorf figurine.
These horrifying dolls definitely won’t murder you in your sleep.