Support Hyperallergic’s independent arts journalism.
It is fairly common knowledge that if Donald Trump likes an artwork, it’s usually about him. However, there is little we know about the White House’s current policies on exhibiting the government’s art collection in the president’s private quarters — unless, of course, you count a photoshopped image of his inauguration crowd and the electoral college map as art.
Sharp-eyed viewers of last Sunday’s “60 Minutes” newsmagazine on CBS may have noticed a kitschy gift-shop horror hanging above Trump’s personal dining room in the White House. Somehow, artist Andy Thomas’s “The Republican Club” traveled from the painter’s home state of California straight into the president’s heart.
Previously seen on jigsaw puzzle boxes around Washington DC, the nightmarishly hokey painting depicts the former reality television host among solidly Republican previous presidents. Theodore Roosevelt hovers above a sitting Trump — who’s looking more svelte here than he ever has in real life — while a nearby Richard Nixon smiles toward Ronald Reagan. Meanwhile, George W. Bush gazes lovingly toward Trump as Abraham Lincoln, who the viewer sees from behind, appears to be conversing with Trump.
I’ll give him this: a jar of just the pink and red starbursts is probably one of the first things I ask for if I’m president pic.twitter.com/tVY240c8xZ
— Josh Billinson (@jbillinson) October 15, 2018
“The Republican Club” is part of Thomas’s series of politically bipartisan paintings, which include “The Democratic Club” and “Callin’ the Blue: Republican Presidents Playing Pool.” Critics have unfavorably compared Thomas’s work to Cassius Marcellus Coolidge’s infamous and eternally-parodied “Dogs Playing Poker” painting series. Others have noted the similarly dull aesthetic style of Jon McNaughton’s overzealous right-wing oil paintings.
The Washington Post interviewed Thomas about how his painting ended up in the White House. He said that California Republican congressman Darrell Issa, whose portrait he had once painted, contacted Thomas’s wife to say that he was going to show the artist’s painting to President Trump. The congressman’s office confirmed this account in a statement saying,
Rep. Issa and Andy Thomas are indeed friends, and the Congressman has some of Andy’s fine work in his office. President Trump appreciates the art that Andy does and the Congressman did deliver the portrait to the White House.
“We had a real nice conversation,” Thomas recalls about his phone call with the president about the painting.
[He] said something like, “I’m in the Oval Office with Darrell Issa, who you know, and Vice President Pence. We’re looking at your painting. I’ve never seen this! Vice President Pence tells me they’re very well known.”
When asked why even presidents like Richard Nixon were so positively portrayed, the artist said that he wants them all to be as good-looking as possible. The artist also paid special attention to the drinks of each president. President Trump drinks his favorite Diet Coke while Nixon sticks to wine. Ronald Reagan, whose father was an alcoholic, sticks to something more fruity.
One haunting aspect of “The Republican Club” is the ghostly female figure in the background to the left, a figure who Thomas says represents a future woman Republican president. He has included the same figure in his paintings of Democrat officeholders.
I love that the only female form looks like she’s on her way over to destroy them pic.twitter.com/v06ErCeATu
Raquel Vasquez Gilliland (@poet_raquelvgil) October 15, 2018
Actually, the dining room artwork is a high-quality laser print. Thomas says he kept the original painting for himself. Anyway, Trump seems to have a fondness for facsimiles. He famously tried to convince journalist Tim O’Brien that the clearly fake Renoir hanging in his private jet was real. (It isn’t. The true painting hangs in the Art Institute of Chicago.) A false Time magazine cover featuring a stern-looking Trump crossing his arms also appeared in at least five of his golf clubs in 2017.
An SFMOMA exhibition raises questions about what it means when museum board members have ties to politicians who support border wall policies.
The exhibition at the Jewish Museum delves into “degenerate” art and art made under duress as part of a thought-provoking yet diffuse exhibition.
In Philadelphia, a series of solo shows delves into the interdisciplinary practices of graduates whose work explores identity, familial bonds, political constructs, and nature’s fragility.
Despite his work’s apparent abstraction, Sheroanawe Hakihiiwe insists that “I don’t invent anything, everything I do is my jungle and what is there.”
David Uzochukwu, Kennedi Carter, and Kiki Xue are among the 35 artists whose work will be displayed online and at the festival in Milan, Italy.
On November 14, join Columbia University School of the Arts for virtual information sessions with the program chair, faculty, and staff.
No Vacancy, curated by Jody Graf, will be on view from October 26 through November 8 at the school’s Kellen Gallery in New York City.
To do so before they have returned the Maqdala treasures and the Benin Bronzes and the Easter Island statues and the Maori heads, before a coherent set of precepts for decolonization has been articulated, would affirm the wrong principle.
“Everybody in Mesopotamia, as far as I understand it, believed in ghosts,” said Irving Finkel, a curator of the British Museum’s Middle Eastern department.