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by
CM Campbell
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CM Campbell received his BA in Fine Art with a studio emphasis at San Francisco State University, and his MFA in Comics at California College of the Arts. He grew up in Evanston, Illinois and lives in... More by CM Campbell
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NYPD officers swept the Gaza solidarity encampments at both schools in what many say is a disturbing show of force on campus.
That ’70s Show and Esther are not only authentic community builders, but become visual collective memories thanks to their theme and scale.
Chryssa’s long unseen neon sculptures shine again in a new groundbreaking exhibition. On view now through July 27 in Chicago.
Sci-fi, absurdism, and surrealism shine in this show, where the best works rely on pure imagination.
A pioneer of the 1970s New York City graffiti movement, the artist reflects on five decades of experimentation with spray cans and paint brushes.
Work by graduate artists of the School of the Museum of Fine Arts at Tufts University is on view May 6–19 in Massachusetts.
The strongest galleries convey a sense of locality, often of Indigenous communities, with a particular sensitivity to environmental issues.
The special attention to women artists highlights the importance of intersectional representation in the fight for inclusion.
Recent artworks by the co-founder of Pussy Riot will be featured in a pop-up exhibition, along with an artist Q&A and performance, on May 16 in NYC.
More than 50 protesters including students from the Fashion Institute of Technology and NYU rallied in support outside the school.
This week, new US census categories, a dispatch from an art-framing shop, university crackdowns on student protesters, silly TikTok recipes, and much more.
’bout time someone said it.
It occurred to me recently that ‘art’ as seen in the context of so many vaulted, security-laden settings is more about ownership than anything else – as if the modern version of the King’s storehouse of looted wealth, the Louvre for example, became an art museum; its curators, the treasurers, never intended their holdings to be accessible to everyone; not really. It makes no difference, it’s not yours and likely never will be. That’s the message.