Most of our earliest experiences of art are forged at museums. In this episode artist Kent Monkman recounts his own youth visiting institutions that didn’t reflect the lived reality around him and his Cree community in Winnipeg.
Since those formative years, Monkman has become an important voice in contemporary art who challenges the histories told inside the hallowed halls of museums, pushing them to reflect the complexity of the world around them. He is an artist who teaches us to imagine the world we want to see, one that refuses to erase the stories of pain, but instead uses them to portray the power of resilience and future possibilities.
This is the first in a four-part series by Hyperallergic in conjunction with the Gardiner Museum and its Community Art Space, a platform for experimentation and socially-engaged art. The series explores the role of museums, ceramics, and the stories they tell.
This and more in our current episode of our weekly Art Movements podcast.
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Lewis’s tattered canvases and pasted over drawings mirror a world in need of constant upkeep and repair.
Seeing the Toronto Biennial of Art through my daughter’s eyes helped me push past some of its challenges by experiencing it on a primordial level.
Installations by Jessica Campbell, Yasmine K. Kasem, Suchitra Mattai, Haleigh Nickerson, and Nyugen E. Smith are now on view at JMKAC in Sheboygan, Wisconsin.
With its titular blend of Western culture and Asian ethnicity, Tyrus Wong’s “Chinese Jesus” painting embodies Asian American identity.
Prehistoric Planet is visually ambitious, but the docuseries often fails to contextualize those visuals for the curious viewer.
The first global survey dedicated to the use of clothing as a medium of visual art features works by 35 contemporary artists, including Nick Cave, Kent Monkman, Louise Bourgeois, and Mary Sibande.
Imelda Marcos and her husband were accused of plundering billions of dollars from the country.
Probably not, but it sure looks like one.
Who says tragedy has to be tragic? Co-presented with National Black Theatre, this fresh, Pulitzer-winning take on a classic centers Black joy and liberation.
I won’t bother you with talk about how obscenely decadent and out of touch the Frieze art fair is. And yet…
Curators Tahnee Ahtone, La Tanya S. Autry, Frederica Simmons, Dan Cameron, and Jeremy Dennis offered the public a window into their curatorial processes through the work they produced during their fellowships.
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Jeremy Dennis presents an exhibition to offer insight into his curatorial process.