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Photo Revolution: Andy Warhol to Cindy Sherman explores the symbiotic relationship between photography and contemporary art at the end of the 20th century and how photo-based media became central to the expression of ideas in a wide range of artists. Beginning in the 1960s, photography rose to unprecedented prominence in contemporary art. As new movements like Pop Art found inspiration in consumer culture, commercial photography and photo-based design moved from the pages of advertising circulars to gallery walls. Artists like Andy Warhol and Tom Wesselmann incorporated photographic material into their work and emulated aspects of the medium in their compositions. Likewise, photographers of the 1960s also experimented with color, collage, and vernacular materials.
By the end of the 1960s, many contemporary artists relied on photography to document their performances and reconsider the possibility of artwork existing outside the confines of the museum. Photo-based media—television, video, and film—became central to the exploration of ideas raised in the work of Peter Campus, Chris Burden, John Baldessari, and Dara Birnbaum. By the 1980s, a politically active generation of artists—including Nan Goldin, Leon Golub, and Cindy Sherman—dominated contemporary art production, relying heavily, if not exclusively, on photography to probe questions of identity. Organized primarily from the Worcester Art Museum’s permanent collection, Photo Revolution assesses the trajectory of contemporary art through a comparison of traditional media with photography and emerging photo-based art.
Photo Revolution: Andy Warhol to Cindy Sherman is on view at the Worcester Art Museum (55 Salisbury Street, Worcester, MA 01609) through February 16, 2020.
Walt Disney built his media empire animating fairy tales; he did not start making films set in a Nazi-occupied Europe by choice.
The Eyes of Tammy Faye features a riveting performance from Jessica Chastain, but proves less interesting than the documentary it’s based on.
In The Contest of the Fruits, the art collective Slavs and Tatars investigates language, politics, religion, humor, resilience, and resistance in a pluralistic world.
Rafał Milach sharply documents three international border walls and how they impact our sense of identity and memory.
Protesters splashed paint on the entryway of the Museum of Modern Art in Midtown, Manhattan.
Seven artists and curators, including Dona Nelson, the featured artist for this year’s Tim Hamill Visiting Artist Lecture, are giving public talks at BU School of Visual Arts.