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Stephen M. Ross, the real-estate tycoon behind the $25 billion Hudson Yards development project on Manhattan’s West Side, has stepped down from the Shed’s board of directors, the Shed confirmed to Hyperallergic in an email today.
A spokesperson with the Shed told Hyperallergic that Ross has stepped down from the Shed’s board of directors “to focus on his other philanthropic activities.”
“We are grateful for his service and his important role in helping found The Shed,” the spokesperson added.
Sources told Hyperallergic that Ross quietly resigned from the board of directors several weeks ago but the Shed declined to provide Hyperallergic with the specific date of Ross’s departure.
Ross came under fire in August after it was revealed that he planned to host a fundraiser for President Donald Trump at his Southampton residence. Social media went ablaze with calls to boycott his associated businesses, including Equinox Fitness, SoulCycle, and Blink Fitness. And in September, several leading fashion brands canceled their participation in events for the New York Fashion Week that were hosted at the Shed. Boycotters included elite fashion houses like Michael Kors, Vera Wang, Rag & Bone, and the Academy of Art University in San Francisco
Ross’s representatives have not yet responded to Hyperallergic’s request for comment.
Archeologists can now prove the Vikings made landfall in the Americas hundreds of years before Columbus reached the Bahamas.
This week, the National Gallery of Art finally acquired a major work by Faith Ringgold, the director of The Velvet Underground talks film, North America’s Hindu Nationalist problem, canceling legacy admissions, and more.
No Vacancy, curated by Jody Graf, will be on view from October 26 through November 8 at the school’s Kellen Gallery in New York City.
Sculptures of Oaxacan alebrijes, envisioned as guardians of the nation’s immigrant community, and catrinas, Day of the Dead skeletons, are now at Rockefeller Center.
“I am trying to keep the immediacy of my emotional experience while I’m painting.”
Art by Athena LaTocha, Wendy Red Star, Marianne Nicolson, Anita Fields, Jaune Quick-to-See Smith & Neal Ambrose-Smith, and more is on view through January 2022.
The intention behind the seemingly bizarre combination was, according to Attie, “to give visual form to the shared American and Brazilian reality of nationalistic divisions that defines our political present.”
Nowhere in the museums’ advertising blitzkrieg for the performance were we told to bring our wildfire-season masks as well as our covid masks, and covid masks don’t prevent smoke inhalation.