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Animal New York has been documenting the steady stream of defacement that artist Shepard Fairey’s May Day exhibition mural on Houston Avenue has been subject to. First it was targeted by a graffiti writer, then holes, and now a clever “Target” logo. It’s worth noting that the target form that is being ridiculed refers to artist Jasper Johns’ famous target image from the 1960s but the form has undoubtedly been transformed in the public imagination by the Target department store chain, which nowadays is more commonly associated with the imagery.
Detested by many in the graffiti and street art community as a sell-out, Fairey is certainly going to be a lightning rod for another age-old rivalry, namely the one between graffiti writers and street artists (both types of artists that work in public spaces but often don’t get along).
I have to admit I’m looking forward to what’s next.
One hundred years after Mary Hiester Reid’s death, Flower Diary recovers the elusive, overlooked artist’s life and work
An exhibition of cabinet cards at LACMA showcases marketing and personal panache.
Over 50 years of the artist’s video and media work on how images, sound, and cultural iconography inform representation is on view through December 30.
Most eye miniatures were exchanged between lovers, though they were also given to close friends and family members.
Their original goal was to create a paint that would effectively reflect sunlight away from a building to reduce energy usage, but now the discovery has earned a Guinness World Record.
Over the course of three months, the resident artists in Going to the Meadow will collaborate and create with a curated set of continually changing materials.
In honor of National Hispanic Heritage Month, exhibitions on irises in art history, LGBTQ Pride, and more have been translated.