Support Hyperallergic’s independent arts journalism.
Today, September 30, a truck loaded with digital screens parked in front of the Guggenheim Museum in New York and blasted Fifth Avenue with Led Zepplin’s 1970s hit “Kashmir.”
The truck belonged to Local 30, the union representing art handlers and facilities staff at the Guggenheim, who staged a protest outside the museum during its members-only re-opening.
“We Deserve a Better Guggenheim,” read one of the messages on the mobile screen. Others read “Fair Contract Now” and “#DoBetterGuggenehim,” in addition to news clips and facts about the union’s year-long negotiations with the museum, which have yet to culminate in a collective bargaining contract.
“The museum fought the workers’ union from the very beginning of this campaign and continues to fight them,” Andres Puerta, a representative of Local 30, told Hyperallergic.
“Other museums have reached collective bargaining agreements in less time,” he continued. “It’s a failure of the Guggenheim’s administration that they haven’t been able to reach an agreement with their workers.”
On September 24, an attorney representing the Guggenheim sent a letter to Local 30 asking the union to hold any future protests in a designated area on the corner of Fifth Avenue and 88th Street, down the street from the museum’s entrance. The attorney, Steven M. Swirsky of Epstein Becker Green, cited social distancing and COVID-19 regulations as the reasons for the request.
Local 30 dismissed the Guggenheim’s request and parked its protest truck defiantly in front of the museum’s entrance, closer to 89th Street.
“We think it’s outrageous that management believes that they can dictate where and how their workers protest them,” Puerta said. “This is just another example of their attitude in negotiations and why they failed to reach an agreement for over a year now.”
“Nobody is going to tell us how we can exercise our First Amendment rights,” Puerta added.
The Guggenheim Museum has not yet responded to Hyperallergic’s request for comment.
The next negotiation session between the workers and the museum’s management will be held tomorrow, October 1.
On Monday, September 28, the artist-activist groups Artists for Workers and the Illuminator staged a guerrilla projection onto the Guggenheim’s facade in solidarity with the union and workers at Guggenheim Abu Dhabi. The projection illuminated the museum’s building with slogans like “Fair Contract,” “Seeking New Management,” and “Open for Exploitation.” The groups held their actions independently of the Guggenheim Union.
“We’ve seen a continued refusal by the management to listen to us when we told them what’s good for us, materially and otherwise,” said Bryan Cook, a member of the Guggenheim Union.
“There are people who have been working here for 20 years who haven’t received a pay raise,” Cook added. “We are trying to make the museum a better place for the workers, and that will make it a better workplace for the management, too.”
In 1962, Andy Warhol desperately wanted to be like his accomplished new pal, Marisol.
An exhibition of Ambrose Rhapsody Murray’s collages of textiles and sequins seek to capture the essence of her Black women figures as spirits.
Presented by Japan Society and the Agency for Cultural Affairs in association with the Visual Industry Promotion Organization (VIPO), this hybrid film series continues through December 23.
Saldamando portrays people isolated at home, waiting out a public health crisis.
Throughout 2021, Indigenous water protectors and climate justice groups have distributed copyright-free artworks supporting recent anti-pipeline protests in Minnesota.
An art historian and food and wine writer, Leonard Barkan roves from Pompeiian mosaics to Bible passages to Shakespearean plays in search of food and drink.
Nothing is more boring than reducing Italian American identity into stereotypes, but artist John Avelluto avoids that with his wide-ranging aesthetic appetite.
This affordable, interdisciplinary program with excellent facilities and private studios offers in-person instruction for 2022.
“A Fountain for Survivors” is a protective, pink cocoon in New York City’s busiest district.
75% of NFTs sell for an average of $15, study says.
Online, people are calling the courtroom drawing of Jeffrey Epstein’s alleged accomplice “creepy” and “horrific.”