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Coral reefs are sometimes referred to as “the rainforests of the seas” — they are one of the most biodiverse ecosystems on the planet. Although they cover just one percent of the ocean floor, these mesmerizing, scaly habitats support an estimated 25 percent of all marine life. They are also highly endangered: the climate crisis, coastal development, ocean acidification, and destructive overfishing are a few of the many factors contributing to their alarming decline. By some estimates, nearly all remaining reefs will be at risk by 2050.
Scientists have now completed the first comprehensive, continually-updated map of the world’s shallow coral reefs, a critical tool for their preservation. Using 2.25 million satellite images, the Allen Coral Atlas maps nearly 100,000 square miles of shallow coral reefs.
Over 450 teams of scientists from around the world contributed data for the initiative, directed by Arizona State University (ASU)’s Center for Global Discovery and Conservation. Named after Microsoft founder Paul Allen, whose company Vulcan funded the Atlas website, the interactive platform is a team effort. The Earth imaging company Planet provides satellite photographs, while the University of Queensland applies machine learning to create map layers and the National Geographic Society trains conservationists to use it.
According to a statement, 14 countries are already using the Atlas for marine planning projects; combined with a system that tracks coral bleaching events released earlier this year, it’s a valuable resource for both scientists and policymakers.
“It is a gratifying milestone after years of dedicated non-stop teamwork to bring this global map to fruition,” said Greg Asner, Managing Director of the Atlas at ASU. “But the true value of the work will come when coral conservationists are able to better protect coral reefs based on the high-resolution maps and monitoring system.”
“We must double down and use this tool as we work to save coral reefs from the impacts of our climate crisis and other threats,” he added.
The University of Virginia researchers wrote that the data “provides compelling evidence that these symbols are associated with hate.”
We are waiting for spectacle and when the quotidian, yet incongruous actions occur I wonder whether there is any real payoff coming.
Hear from Holly Jean Buck, Carolina Caycedo and David de Rozas, Simon Denny, Elizabeth Hoover, Renee Kemp-Rotan, Joseph Kunkel, and more at this free public event.
Tanega’s approach to mark-making comes across as stream of consciousness, as if she’s engaged in a conversation with herself.
Starting Monday, readers can borrow one of 50 rare and out-of-print titles, mailed to them completely free of charge, from Saint Heron Library.
EFA Open Studios offers a portal into the creative habitats of over 65 artists working in Manhattan’s longest-running studio program, including Dannielle Tegeder, Wafaa Bilal, Cui Fei, and Anina Major.
This is Yuskavage’s great gift, turning upside down our settled ways of thinking and seeing and, with ease, transforming the vulgar and ridiculous into the sublime.
51 international publishers and galleries showcase their latest editions in prints and artists’ books at this free public fair, which is fully online this year.
While hardly about the pandemic, or any of the other crises so afflicting us, all are invoked in this exhibition, which is also often tender and profoundly soulful.
These glowing, dynamic artworks reproduce something of Bosch’s chaotic energy, but on an immersive, multi-sensory scale.
This week, addressing a transphobic comedy special on Netflix, the story behind KKK hoods, cultural identity fraud, an anti-Semitic take on modern art, and more.