BRIClab is a multidisciplinary residency program created to advance opportunities for visual artists, performers, and media makers. The program offers emerging and mid-career artists essential resources, mentorships, and opportunities to share their work. It also aims to build a stronger and more diverse artistic community in Brooklyn by supporting long-term growth and fostering relationships across disciplines.
The program’s four tracks are Contemporary Art, Film & TV, Performing Arts, and Video Art. Each track offers unique resources designed to meet the needs of varied artistic practices. Residents receive additional financial support, mentorship, skills-based learning opportunities, and documentation of their work. In-process public programs for the 2022/2023 cohort will take place from September 2022 through May 2023.
BRIClab is committed to expanding opportunities for disabled artists, as part of a BRIC-wide effort to advance accessibility for disabled artists, audiences, and staff members. We encourage applications from disabled artists, and will work with all selected artists to support an accessible and accommodating residency. BRIClab review panels reflect BRIC’s values and artists, and will be inclusive of disabled reviewers. More information about accessibility at BRIC can be found here.
To learn more and apply, visit bricartsmedia.org.
For the triennial’s eighth edition, work by more than 70 artists is featured in 12 exhibitions and a polyphonic program, installed at various locations throughout the German city.
Murch’s painted dust can be so tangible you feel compelled to wipe off the picture.
“As we grieve her loss, we call for full accountability for the perpetrators of this crime and everyone involved in authorizing it,” they wrote in an open letter.
This exhibition explores the work and short-but-impactful life of the groundbreaking ceramic artist. Now on view at the New Orleans Museum of Art.
The planned center will be named after Fred Rouse, a Black man who was lynched in the city of Fort Worth in 1921.
The researchers found that when eyes meet, certain areas of the brain start experiencing “neural firing.”
Curated by Clare Dolan, this solo exhibition in Frenchtown, NJ contains new and unearthed paintings, sculptures, and prints selected from the organization’s 60-year history.
From 1968 to 1973, the Nihon Documentarist Union did radical documentary work in Japan. They made two films in Okinawa before, during, and after its reversion.
Every corner and crevice of Columbia University’s MFA Thesis show feels lived in, reflecting not just artists’ experience quarantining with their work, but also that of re-entering society.
Sprawling across the Joshua Tree region, nine site-specific works consider the ways in which people have relocated to the desert, destroying what came before them, and cultivating new life.