- Five artists and writers reflect on the influence of Theresa Hak Kyung Cha and her important work Dictee for the Yale Review:
Dictee’s anniversary provides an opportunity to consider Cha’s remarkably wide influence and celebrate her monumental achievement. The Yale Review has invited five contributors—poet Ken Chen, writer Zahra Patterson, poet and translator Uljana Wolf, and visual artists Latipa and Yong Soon Min (the latter a friend of Cha’s)—to reflect on Cha, Dictee, and the book’s influence on their own work.
- Ramzi Fawaz writes about the “radical possibility of queer friendships” for Literary Hub:
Thus, the great gift of queer forms is their potential to teach us how to receive, negotiate, and meaningfully respond to the world’s fundamental diversity. With this in mind, I want to suggest that friendship can offer a potent model for better understanding, relating to, and studying queer forms in all their variety—both those transmitted to us from the feminist and queer past and those still being invented—while helping to enrich and refine our commitments to contemporary gender and sexual freedom movements. Friendship is the kind of social relation that comes closest to modeling the world-opening aspect of forms, for its unique brand of solidarity is the most local, intimate, and intense site for the negotiation of differences between two people.
- If someone tells you they’re descended from Vikings, you should laugh at them, and then show them this video by a professor of archeology, Howard Williams:
- Gen Z never learned to read cursive, writes Drew Gilpin Faust for the Atlantic:
Had I heard him correctly? Who else can’t read cursive? I asked the class. The answer: about two-thirds. And who can’t write it? Even more. What did they do about signatures? They had invented them by combining vestiges of whatever cursive instruction they may have had with creative squiggles and flourishes. Amused by my astonishment, the students offered reflections about the place—or absence—of handwriting in their lives. Instead of the Civil War past, we found ourselves exploring a different set of historical changes. In my ignorance, I became their pupil as well as a kind of historical artifact, a Rip van Winkle confronting a transformed world.
In 2010, cursive was omitted from the new national Common Core standards for K–12 education. The students in my class, and their peers, were then somewhere in elementary school. Handwriting instruction had already been declining as laptops and tablets and lessons in “keyboarding” assumed an ever more prominent place in the classroom. Most of my students remembered getting no more than a year or so of somewhat desultory cursive training, which was often pushed aside by a growing emphasis on “teaching to the test.” Now in college, they represent the vanguard of a cursiveless world.
- I don’t know what to say about this, but many Republicans are clearly Christian Nationalists:
- This is nerdy and interesting:
Required Reading is published every Thursday afternoon, and it is comprised of a short list of art-related links to long-form articles, videos, blog posts, or photo essays worth a second look.
“You can’t have idols; it’s in the second commandment,” he screamed before being arrested.
The Mexican artist confronts gun violence and nuclear power through sculpture, print, performance, and video work.
Ten artists will receive studio space and access to faculty, staff, students, workshops, and programming at an arts institution in the heart of Philadelphia.
Manhattan now has its own, downscaled version of the artist’s famous Chicago sculpture, oddly squished under a luxury condo tower.
Increased oil tanker truck traffic would “seriously degrade” the experience of viewing the canyon’s Indigenous rock art, said one advocate of the site.
Join the New-York Historical Society on February 10 for a virtual conversation about our changing relationship to the natural world with Julie Decker, John Grade, and LaMont Hamilton.
Jafar Panahi was arrested last July, after he participated in protests at the notorious Evin prison.
Designed by artist Christine Egaña Navin, the items will be offered by Project Art Distribution at this weekend’s NADA Flea Market.
The French painter felt he had to rise to the challenge of one question above all things else: What exactly is it to be a modern artist?
Philipsz’s haunting sound and video artworks serve as a poignant witness to the lives and artistry of victims of the Holocaust.