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If we are accustomed today to the waterfall of reactions on social media, blogs, television, street art, and dozens of other channels to the latest happenings in contemporary life, in 1913 the response to the Armory Show must have seemed overwhelming in an era where opinions found fewer outlets for amplification.
Lampooned by newspapers and cartoonists, the Armory Show may have since become a symbol of the once awkward marriage of European avant-gardism and American mass sensibilities, but at the time it was also a war over what art was and could be. These comics, from publications as varied as the UK’s satirical Puck magazine to New York’s various dailies, give you a sense of the tension brewing in the culture during that period.
If these comics, which can be found at the New-York Historical Society’s “Armory at 100” website aren’t enough to excite you about the museum’s major Armory show opening October 11, then I don’t know what will.
New works by one of Bangladesh’s most prominent photojournalists, writers, and activists are on view at the Chicago art space through November 27.
Council often uses humor as a political tool to expose systems of power and inequality in a society in which even death carries a high price tag.
An exhibition at the San Francisco Opera House pairs the work of incarcerated artists with Beethoven’s story of unjust imprisonment.
Many works take disruption and repetition as their themes, and many artists resurface in different sections, creating multiple affinities.
Hear from Holly Jean Buck, Carolina Caycedo and David de Rozas, Simon Denny, Elizabeth Hoover, Renee Kemp-Rotan, Joseph Kunkel, and more at this free public event.
In Cooking with Paris, Hilton capitalizes on her portrayal of being a competent woman, while highlighting its anachronism through her absurd performance. Rosler manipulates the camera in the same way.
EFA Open Studios offers a portal into the creative habitats of over 65 artists working in Manhattan’s longest-running studio program, including Dannielle Tegeder, Wafaa Bilal, Cui Fei, and Anina Major.
A man says Blue Bayou took details of his life without his permission. Several women who appear in the documentary Sabaya say they did not consent to be filmed. How can filmmakers avoid these ethical pitfalls?
Ursula Biemann, Nicolas Bourriaud, and others said they will no longer participate in the event.
There is an official ban against the public mourning of Tiananmen Square victims in Hong Kong and mainland China.