Vasily Kandinsky, “Improvisation No. 30 (Cannons)” (1913), oil on canvas, 43 11/6 x 43 13/16 inches (edit Rhea Nayyar/Hyperallergic, public domain via Art Institute of Chicago)

While they certainly cover a wide spectrum of life events within the human condition, Hallmark cards from the back of your local retail pharmacy chain really just can’t capture the candidness of contemporary dating and relationships. After the last few years, we decided that it’s time to ditch the mass-produced content for Valentine’s Day 2024, and get a little help from art history to really communicate the complexities of love, lust, and languishing.

From polycules to break-ups and intense professions of adoration, we at Hyperallergic put our brains together to identify where corporate Valentine’s Day marketing was missing out, and found that art from the past truly had insights into the future that weren’t fully realized until just now. As seen above, Kandinsky’s colorful chaos aptly captures the entropic magic of an undeclared situationship — but it’s time to rip the band-aid off and see where you stand.

Allow us to present our selection of ultra-specific, art-inspired holiday cards for Valentine’s Day 2024.

Gustav Klimt, “The Kiss” (1907–1908), oil on canvas, 70 4/5 x 70 4/5 inches (edit Rhea Nayyar/Hyperallergic, public domain via Wikimedia Commons)

We just hope that you don’t get the above card from your situationship buddy at the same time you show up with your “What even are we?” card. But who am I kidding — it’s not like you guys are going to see each other on the 14th, anyways.

You know how I said that art from the past really had insights into the future? Yeah … over 200 years later and this is still pretty freaky:

Hokusai, “Tako to Ama/The Dream of the Fisherman’s Wife” (1814), woodblock print on paper, 7 2/5 x 10 1/2 inches (edit Rhea Nayyar/Hyperallergic, public domain via Wikimedia Commons)

Not unlike Gustav Klimt’s Valentine’s Day card, but definitely a bit more specific. What’s a better example of ~forbidden love~ than Cupid and Psyche? Take it from someone who has been there, some things are better left forbidden …

William Adolphe Bouguereau, “L’Amour et Psyché, enfants” (1890), oil on canvas, 20 x 27 7/8 inches (edit Hyperallergic, public domain via Wikimedia Commons)

From Brooklyn to Portland to Utah and back, we’ve got you covered for all types of relationships this season.

Henri Matisse, “Dance I” (1909), oil on canvas, 102 1/5 x 153 3/5 inches (edit Rhea Nayyar/Hyperallergic, public domain via Wikimedia Commons)

And with every type of relationship, we must account for all possible outcomes. Remember to be a good communicator!

Artemisia Gentileschi, “Judith Slaying Holofernes” (1612–13), oil on canvas, 78.33 × 64.13 inches (edit Hrag Vartanian/Hyperallergic, public domain via Wikimedia Commons)

Old art 🤝 old TV references — working together to emphasize a seemingly timeless, most unwelcome encounter experienced daily across the world.

Berthold Woltze, “The Irritating Gentleman” (1874), oil on canvas, 29 1/2 x 22 2/5 inches (edit Rhea Nayyar/Hyperallergic, public domain via Wikimedia Commons)

For the one who looks at you the way God looks at Adam … Baby Girl

Michelangelo, “The Creation of Adam” (c. 1512), paint and plaster, 110 x 224 inches (edit Elaine Velie/Hyperallergic, public domain via Wikimedia Commons)

Partners come and go, but nothing hurts like losing your favorite pair of underwear. The power of material culture, eh?

Edward Hopper, “Morning Sun” (c. 1952), oil on canvas, 28 1/10 x 40 1/10 inches (edit Rhea Nayyar/Hyperallergic, public domain via Wikimedia Commons)

There was a lot that could have been said about this one, but sometimes the low-hanging fruit really tastes the best!

Jean-Honoré Fragonard, “The Swing” (c. 1768), oil on canvas, 31 7/8 x 25 1/4 inches (edit Rhea Nayyar/Hyperallergic, public domain via Wikimedia Commons)

For the sentimental.

Ivan Aivazovsky, “The Ninth Wave” (1850), oil on canvas, 87 x 131 inches (edit Hrag Vartanian/Hyperallergic, public domain via Wikimedia Commons)

If your love language is physical touch or acts of service.

Auguste Rodin, “Study of a Hand” (modeled 1885, cast before 1912) (edit Hrag Vartanian/Hyperallergic, public domain via Metropolitan Museum of Art)

Excellent choice if Saltburn (2024) is your current obsession, or if you were unfortunately online during the Belle Delphine “gamer girl bathwater” fiasco.

Édouard Manet, “Boy with Pitcher (La Régalade)” (c. 1862–72), oil on canvas, 24 5/16 x 21 3/8 inches (edit Rhea Nayyar/Hyperallergic, public domain via Art Institute of Chicago)

How do I show this to my dog?

Henri de Toulouse-Lautrec, “Le Lit/The Bed” (1893), oil on cardboard, 21 1/5 x 27 7/10 inches (edit Rhea Nayyar/Hyperallergic, public domain via Wikimedia Commons)

Last but not least, I couldn’t leave out a reference to “The Artist is Present” (2009). True fans would benefit from pairing this card with some skincare products by our “shaman of late capitalism.”

Photoshop is my passion. (edit Rhea Nayyar/Hyperallergic)

Rhea Nayyar (she/her) is a New York-based teaching artist who is passionate about elevating minority perspectives within the academic and editorial spheres of the art world. Rhea received her BFA in Visual...

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