Manhattan’s Grace Exhibition Space marked the opening of its fall season with over-the-top performances curated by the adored anti-fascist comedian.
The challenge at the heart of Van Gogh’s Cypresses is that the trees carried associations in the late 19th century that are lost on us today.
The less-than-idealized body is a mainstay of modern art. But whether or not it sells is another question.
Part 2 of Pratt’s MFA thesis exhibition is all about depicting the toxic capitalist, racist, misogynistic, transphobic status quo in the US.
Your list of must-see, fun, insightful, and very New York art events this month, including Hew Locke, Saif Azzuz, Miyoko Ito, Shona McAndrew, and more.
Oh Shit! retraces the historical arc of feces from ancient Rome to the sewage challenges and potential innovations of the 21st century.
A long history of checkered reviews of the film L’Homme blessé betrays a fundamental struggle with tragedy in a queer context.
Suzanna Ivanič’s new book Catholica: The Visual Culture of Catholicism is an essential primer on how Catholicism intersects with art history.
What feels like the right way to write about Roman Catholicism, or Christian iconography, to most art critics is heavily influenced by museum discourse, which is far from neutral.
Paul Anagnostopoulos’s painted terra cottas are rife with rich allegory to unpack — whether you’re LGBTQ+ or not.
Every artwork at Arts in Bushwick seemed to be in dialogue with the uncertainty and unpredictability of the moment.
The unorthodox bodies that Donatello sculpted seem intertwined with the unorthodox relationship he developed between his own body and the bodies of other queer men.