What began as a one-day project for Ken Karagozian transformed into a 30-year one.
Notes of mold and tobacco hit quickly, with raspberry candies cutting through the musk, personifying the feeling of “bittersweet.”
Yup’ik artist Emily Johnson says the head of the Peak Performances series at Montclair State University revoked the $100,000 commission she was promised.
In Long Beach, arts institutions commissioned mail art by more than 80 South Bay artists and illustrators.
Carson’s geometric paintings, inspired by the land of big sky, mimic rolling hills and valleys.
Local artists Chris Ramming and Rob Brill address tourists traveling to Marfa, which is in a COVID-19 hotspot and doesn’t have a hospital.
In Stanya Kahn’s earlier films, Los Angeles seems ready to spark a revolution at any moment. But in the newest adventure, the urban sprawl creeps into the inhabitants’ states of mind, and everything languishes.
Members of the She Loves Collective led a striking procession along the Los Angeles River to raise awareness about the Nagorno-Karabakh war.
In Fire Season, Monica Miklas invites you to the remnants of Western Town, a faux Wild West village formerly nestled in the Santa Monica Mountains.
Gerard & Kelly’s performance State of unpacks enduring symbols of nationalism, patriotism, and masculinity.
This year’s iteration drives painted sports cars into the showroom, disguises booths as furnished apartments, and even houses a James Turrell skyroom.
In Oscar Oiwa’s 360º installation, Dreams of a Sleeping World, rippling circles resemble hundreds of eyeballs, rabbits emerge from black voids, and plant life springs out of stippled marks.