A Letter to Mamdani

An appeal to the mayor-elect from an art worker, a controversial nativity scene in Belgium, and were medieval Psalms elitist?

In March, I remember looking around the standing-room-only crowd at Nightclub 101 in downtown Manhattan, where a relatively unknown assemblyman named Zohran Mamdani was holding a party-cum-fundraiser. I remember feeling the swell of hope and possibility, thinking — Wow. Am I crazy, or does he maybe have a shot at this thing? 

He most certainly did. But now comes the real work: upholding that towering vision of transformative reform in all arenas — affordability, housing, education, and the arts. As musician and educator Sami Abu Shumays writes in a moving letter to the new administration about the role of government in arts funding, the city's Department of Cultural Affairs currently gives more money each year to the Metropolitan Museum of Art than it does to every cultural institution in Queens and Staten Island combined. As this year draws to a close, here’s hoping the next one heralds a more equitable and hopeful art world.

Lisa Yin Zhang, associate editor


NYC Mayor-Elect Zohran Mamdani addressing his supporters after his historic victory on November 4, 2025. (Photo by Selcuk Acar/Anadolu via Getty Images)

Dear Zohran, Don’t Let Art Workers Down

"Arts and culture are the very vehicles through which we express the power to shape our destinies," Sami Abu Shumays writes in a missive to New York City Mayor-elect Mamdani. "We must ensure that every member of our communities can actively participate in artistic and cultural creation and access affordable, local arts programs."


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News

Mary Anne (photo courtesy NEA)

Must-Read

Victoria-Maria Geyer's Christmas nativity scene with faceless characters being unveiled at the Grand-Place in Brussels on November 28 (photo by Nicolas TUCAT / AFP via Getty Images)

How a Nativity Scene Sent Europe Into a Tizzy

A nativity scene made of recycled textiles instead of wood caused a huge controversy after it was displayed in Brussels. Katherine Kelaidis reads this incident in the context of the larger question of whether explicitly Christian imagery should be part of European public spaces, and what form it should take.


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Member Comment

Lorin Duckman on Lisa Yin Zhang's "The Trump Administration Looks Even Worse Up Close":

The images scared me, because these people who have the fate of the world in their hands, lack a love for humanity. No dignity. Just power. The photographer saw them for who they are and they saw him as a person with a camera. So goes our art. Arnold Newman (remembering his portrait of Krupp who had been pardoned and given back his industrial estate) lies smiling in his grave, his joy tempered only by the violence at Brown, Bondi Beach and the Reiner home.

From Our Critics

Master of Saint Augustine, "Scenes from the Life of St. Augustine of Hippo" (c. 1490), central panel of a triptych Belgium, Bruges (photo courtesy the Morgan Library & Museum)

Medieval Psalms Were Not For Everyone

Medievalist Tamar Boyadjian certainly knows her stuff — in this review, she argues that the Morgan Library & Museum's exhibition Sing a New Song: The Psalms in Medieval Art and Life focuses more on the luxurious visual object than the conflict-ridden reality of medieval life for ordinary men and women.


Featured opportunity

Ucross – Fall 2026 Artist Residencies

Experience the majestic High Plains on a 20,000-acre ranch in Wyoming. Artists-in-residence enjoy uninterrupted time and space, private studios, chef-prepared meals, and a $1,500 stipend. The application fee is $40.
Deadline: January 15, 2026 (11:59pm MT) | ucross.org

View this month’s list of opportunities for artists, writers, and art workers!

From the Archive

Banksy’s “Scar of Bethlehem” at the Walled Off Hotel (2019) (courtesy Bisher Qassis)

Banksy Unveils a Political Interpretation of the Nativity Scene in Bethlehem

The work was unveiled at the artist’s Walled Off Hotel, which overlooks Israel’s separation wall around Bethlehem.