Alexander Calder Erewhon Smoothie?

It’s the collaboration the art world deserves. Plus, we’re throwing a Halloween party!

Alexander Calder Erewhon Smoothie?
Alexander Calder’s fountain “Three Quintains (Hello Girls)” (1964), located outside the Erewhon café (photo Joey Zanotti via Wikimedia Commons, CC BY 2.0)

At our Halloween party last year, my undergrad art history thesis advisor showed up as Malevich’s “Black Square,” and a writer I regularly work with handed out purple squares for his “Relational Aesthetics” (???) costume. So what I’m saying is that we throw an excellent Halloween party, and you ought to come to this year’s. Mark your calendars: Wednesday, October 28 — and wear your best costume, because we’ll be holding a competition, and we might just write an article about it. (Also, yes, there’s an open bar.) Hyperallergic members get half off on tickets. Join us.

Elsewhere in New York are Ridikkuluz’s can’t-miss paintings: George W. Bush choking on a shoe, painting a possessed poodle is just the tip of the iceberg. It’s a moving — at times, devastating — exhibition that combines queer and SWANA symbols to hold the pain and horror of Israel’s oppression of Palestinians.

If you can’t make Hyperallergic Halloween for reasons of being located on the opposite coast (we’ll forgive you), check out Matt Stromberg’s great list of what to see around Los Angeles this month. The other stuff going on in that city I can’t really speak for … “LACMA’s Alexander Calder Erewhon Smoothie” is a series of words I really never thought I’d see in that order. Good thing Associate Editor Phillip Pyle’s got an excellent piece breaking it all down. Or should I say taking it all down?

—Lisa Yin Zhang, associate editor


LACMA’s Alexander Calder Erewhon Smoothie Is What the Art World Deserves

Imagine you’re a hotshot young New York gallerist whose rapidly rising artist has been invited to show in a group exhibition at the Los Angeles County Museum of Art (LACMA). But between this fall’s booths at Frieze London and Art Basel Paris, a detour to Venice, and micromanaging your unpaid interns, you can only go for a day. So, tragically, there’s no time to fit in your regular visit to Erewhon, for which there’s simply no New York equivalent, especially because the $36,000 initiation fee for the Kith Ivy padel club that houses the city’s only Erewhon tonic bar is prohibitive in this art market.

Well, I have good news for the few who can relate to these circumstances: LACMA announced this week that the Erewhon pop-up in its new David Geffen Galleries will now serve as the museum’s permanent cafe. | Phillip Pyle

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From Our Critics

The Hellhounds of Genocide

In Ridikkuluz’s paintings, the irascible dog emerges as a symbol for Israel’s oppression of Palestinians. | Daniel Larkin

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A new biography attempts to make the case for Tanning’s independence and artistic strength in her own right, but remains frustratingly tethered to her husband. | Lavinia Liang

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At IFPDA’s October Prints & Drawings Month, Museums Are Quietly Rethinking Where Works on Paper Belong

Attend print and drawing-focused sessions in person and online with LACMA, The Met, and more throughout the month of October.

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In Focus

Celebrating 60 Years of NYC’s Millennium Film Workshop

Founded by a group of artists from the Film-Makers’ Cooperative, the avant-garde space remains a supportive home for a community of experimental and non-commercial filmmakers. | Irene Lee

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The Museum Director as Gardener

Institutions are human creations. Building and reshaping them requires imagination, experimentation and a tolerance for uncertainty. | Amy Gilman

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“Modernity and Opulence: Women of the Wiener Werkstätte” at the Jewish Museum

The exhibition illuminates the role that women played as artists, designers, and tastemakers shaping modernist aesthetics in early 20th-century Vienna.

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10 Art Shows to See in Los Angeles This October

Roberta Gentry’s visions in orange and blue, Jordan Nassar’s tatreez puzzles, 12 Japanese women who shaped hard-edge abstraction, Susan Silton’s feminist conceptualism, and more. | Matt Stromberg

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Remembering Ingrid Wiener, Ian Berry, and Bob Masse

This week, we honor a Viennese Actionist, a journalist who captured Apartheid, and a poster designer for concerts and films. | Lisa Yin Zhang

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featured opportunity

apexart — 2027-28 NYC Open Call
Accepting 500-word proposals for group exhibitions presented at apexart in 2027-28. Five winning exhibitions receive up to 10K budget. All with a compelling group exhibition idea are encouraged to apply.
Deadline: October 31, 2026 | apexart.org


Member Comment

The only thought I have after reading the Krasner review is: what a wonderful and powerful artist!! I’m sure she was influenced by her husband’s painting, and by other AbEx artists, but her work seems personal, and very strong. Her self-portrait is amazing!- but so are all her other works included here. Thanks for this review, and the text!

—Alex Clark on "The Met’s Krasner and Pollock Show Is a Breathtaking Upending"

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