Jean Renoir’s newly restored 1939 classic proves that lawless wealth — then as now — makes a marvelous farce of us all.
The aggressive kineticism of Futurism in Chase-Riboud’s sculpture is tempered by a keen appreciation of the erotic and lyrical.
For those up for seriously weird, naughty “cyberdyke” mayhem, this movie will likely disturb and delight.
Capturing an urban ecosystem of animals and humans, Shaunak Sen’s second feature sits somewhere between a nature doc, political drama, and touching family portrait.
Just as sex with a revolutionary does not make one revolutionary, a penchant for setting films in developing countries does not make Denis a resident expert.
The unabashedly feminine oeuvre of the collagist, sculptor, and conceptual artist is a smorgasbord of shimmer and sequin, a bling manifesto for the senses.
With its recent 4k restoration, Daisies endures as a New Wave masterpiece and hyper-feminine smorgasbord of sensory pleasure.
The most fruitfully jarring artistic disruptions at documenta 15 unsettle their own settings, stealthily intervening in traditional German institutions or landmarks.
The engulfing vocal testimony of Miller’s audio-visual art speaks to the threat of death faced by people of color in this country.
Assembly Required suggests it is high time to strap on a colorful mask and play with someone you don’t know — or don’t know well enough.
Hanna Bergholm’s stunningly original debut film Hatching embraces the experience of female adolescence as the monster that it is, and then gives that monster literal wings.
Charline Bourgeois-Tacquet’s directorial debut offers a twist of zest to the tired tale of a vivacious young woman pursuing romance with an older man.