Features
Why We Should All Be Worried About "Crusadercore"
This online trend equips young, White men with a historically bastardized visual lexicon — one that gives new credence and religious authority to far-right bigotry.
Emma Cieslik is a queer, disabled, and neurodivergent museum professional and writer based in Washington, DC. She is also a religious scholar interested in the intersections of religion, gender, sexuality, and material culture.
Features
This online trend equips young, White men with a historically bastardized visual lexicon — one that gives new credence and religious authority to far-right bigotry.
Features
Despite pushback from right-wing leaders, nativity scenes with a humanitarian message are spreading across the country.
News
Dozens of workers have been terminated since the president took over the institution in February.
Guide
From Coco Fusco’s incisive political performance art to Alexander Calder’s whimsical circus, the shows below will grab your attention.
Art Review
A new exhibition at The Met Cloisters makes the case that gender and sexual fluidity were an essential part of Medieval religious art.
Guide
Even as major museums are shuttered, there’s plenty of great art to see in the nation’s capital right now, from Arab Pop Art to the work of McArthur Binion.
News
Dressed in flowing pink robes, artist and activist Dee Mulrooney — or “Growler” — is urging the British Museum to return a Síle na Giġ statue back to Ireland.
Opinion
With humor and AI, the meme appeals to the growing constituency of devout MAGA Catholics.
Opinion
Amid ceaseless attacks on LGBTQ+ rights, art institutions have a responsibility to center and support their queer and trans staff and visitors.
Opinion
To criticize the Vatican’s nativity with a now-removed Jesus in a keffiyeh would be to dismiss the artistic history of crèches centering marginalized people.
News
The Rowtons’ Museum in Wales is part of a wider cultural movement to dive deeper into the histories of the supernatural and the spiritual.
Opinion
Critics of the opening ceremony betrayed their ignorance of Christianity’s pagan roots — and the real reason behind their ire toward the show.