Posted inArt

Secret Dildo Sculptures and Abstract Neon Erotica

CINCINNATI, Ohio — The doors at the top of the gallery steps swing open with a crash. The touring Broadway show is over at the adjacent performing arts hall, and the matinee crowds pour into the Alice F. and Harris K. Weston Art Gallery, a massive glass box situated on a busy street corner in downtown Cincinnati, Ohio. They’re in a hurry, these Blue Man Group faithful, heading to nearby garages, but many stop for photos and others stay and linger over Taint, a sprawling exhibition by artist Anthony Luensman featuring large-scale sculpture, photography, and video spread over the gallery’s two floors.

Posted inOpinion

The Failures (and Some Successes) of Jeffrey Deitch in LA

The insular art world likes its public follies almost as much as Hollywood. We’re constantly looking for the latest slip-up, the misspoken press statement or flubbed exhibition. That’s why the trials and travails of Jeffrey Deitch as the director of the Los Angeles Museum of Contemporary Art have been so magnetic — it’s an ongoing soap opera, replete with plot twists. But is it time now for rebalance the books of Deitch’s tenure?

Posted inArt

Surreal Sculptures Remixing Nature Provoke Environmentalist Concerns

CHICAGO, Illinois — Walking down an urban Chicago street on a quiet Sunday afternoon, I noticed a gathering of greenery nestled in the crack of a sidewalk jutting up against a cement wall. These small moments of nature poking through the urban landscape reveal themselves when we are not paying attention to anything particular, but rather reveling in what is alive around us. It is in these moments that Chicago-based artist Jenny Kendler’s work situates itself, wrapping around the mind like a vine crawling up the exterior of a 100-year-old brick building.

Posted inArt

Fluxus for the Linux Generation

New York is a city awash in information. If your body was a receiver can you imagine how overwhelmed by senseless Facebook updates and spam mail it would be? It goes without saying that the more connected we are the more unavoidable digital reality becomes. This does not exclude the white walls of the art gallery. Artie Vierkant’s first solo exhibition Image Object at Higher Pictures on the Upper East Side is proof of this.

Sign In

We've recently sent you an authentication link. Please, check your inbox!

Sign in with a password below, or sign in using your email.

Get a code sent to your email to sign in, or sign in using a password.

Enter the code you received via email to sign in, or sign in using a password.

Subscribe to our newsletters:

OR

Privacy Policy