Opinion
Weekend Words: Wreck
“Contemporary art’s job is to wreck what came before.” John Waters, from his commencement speech at the Rhode Island School of Design last weekend.
Latest
Performance
The Rehearsal's the Thing: Anne Washburn's '10 out of 12’
10 out of 12, Anne Washburn's new play at SoHo Rep in New York, puts a new comic twist on the genre of backstage drama by focusing on one of theater's most boring tasks: the tech rehearsal.
Art
Jessica Rohrer’s View of the Heaven on Earth Club
“Something strange is creeping across me.” The first line of John Ashbery’s poem, “Daffy Duck in Hollywood,” came to mind while I was scrutinizing the modestly scaled, seemingly benign works included in Bloomfield, Jessica Rohrer’s latest exhibition of paintings and works on paper at PPOW.
Art
Natasha Mayers: Here Come the Men in Suits
PORTLAND, Maine — Natasha Mayers is a tried and true activist artist. With few exceptions, her art — paintings and murals and the banners she helps create as part of the Artists Rapid Response Team, or ARRT — is focused on fighting for justice of every kind: racial, social, restorative, environmenta
Art
Urs Fischer’s “Big Clay #4”: The Most Expensive Turd in the Art Casino?
Looming over the pedestrians of midtown Manhattan is a monumental new work, “Big Clay #4” (2013–14) made by the Swiss artist Urs Fischer.
Art
Loaded History: Marino Marini’s Armless Juggler
VATICAN CITY — Modern art has achieved a slightly higher profile at the Vatican Museum these days (relatively speaking, of course): among other offerings, the recently opened Borgia apartments are currently filled with sometimes ordinary, sometimes exceptional selections of mid-20th-century Italian
Art
Can an Algorithm Determine Art History's Most Creative Paintings?
At the end of the month Ahmed Elgammal and Babak Saleh, an associate professor and PhD candidate, respectively, in the Department of Computer Science at Rutgers University, will present their paper "Quantifying Creativity in Art Networks" at the International Conference on Computational Creativity.
Performance
Dancing Out Our Inner Demons
For dancers, the body is a surrogate for concepts and a tool for arranging shapes in the air.
In Brief
Ford Foundation Refocuses Grant Giving to Fight Inequality
The Ford Foundation, the second-largest philanthropic foundation in the US, will restructure its grant-making program to focus entirely on fighting global inequality, the Chronicle of Philanthropy reported.
News
Art Movements
This week in art news: CBC News host Evan Solomon was fired for secretly brokering art sales, MCA Australia cancelled its Marina Abramović retrospective, and the world's earliest known cello went on display at the Met Museum.
News
John Waters Tells Young Artists to "Wreck What Came Before"
"Today may be the last day of your juvenile delinquency, but it should also be the first day of your new adult disobedience," John Waters recently told the 2015 graduating class of Rhode Island School of Design (RISD) in his commencement speech.
News
US House of Representatives Passes Controversial Art Protection Bill
On Tuesday, the US House of Representatives passed a bill that would ensure that authorities cannot seize works of art brought into the United States for temporary display in cultural institutions — even if they're determined to have been stolen.