Art Review
The Counterpublic Triennial Pollinates a Budding St. Louis
The sweeping third iteration of this exhibition of public art is well-suited for a city both frozen in time and ripe for a wildly revitalized future.
Art Review
The sweeping third iteration of this exhibition of public art is well-suited for a city both frozen in time and ripe for a wildly revitalized future.
Daily Newsletter
Turns out the art world is primed for “Why would I deceive you?” memes. Also: NYC museum workers authorize a strike.
New York Newsletter
An interview with Alfredo Jaar, a new craft supply lending program at the Brooklyn Public Library, and workers at the Whitney Museum, the Brooklyn Museum, and the American Folk Art Museum vote in favor of a strike.
News
Mexican architect Frida Escobedo joined museum leadership and elected officials to celebrate “la primera piedra,” or “the first stone,” of the forthcoming Tang Wing.
Guide
Carlotta Corpron photographs light, Ahn Chang-Hong unmasks Korean history, Black women reimagine Shakespeare, three mid-century New York artists paint by the sea, and more.
News
“Staff should be able to afford to live in the city they work in,” said one of the workers organized with UAW Local 2110.
Art Review
In her first museum survey, the Bay Area artist's vibrant, musical, and poetic world is on display, reflecting her own memory with collective histories in America.
Memes
We took the viral Elizabeth Holmes-Nathan Fielder meme and gave it the ol' Hyperallergic spin.
Film Newsletter
A tribute for the late queer artist, 15 years of BlackStar Film Festival in Philly, and what two American doctors learned in Gaza.
Art Review
A show on art from Cuba, Guam, the Philippines, Puerto Rico, and their diasporas touches on themes of colonization, enslavement, migration, and more.
Daily Newsletter
We interview the Chilean artist as an iconic work returns to NYC, Trump’s attacks against abstract sculptures, James McNeill Whistler’s musical paintings, and more.
Interview
Four decades after his Times Square artwork challenged the definition of America, the Chilean architect calls himself “a pessimist with my intellect and an optimist with my will.”