Feature
Saad Khan Archives the Detritus of Censored Culture
Since 2019, the New York-based archivist has cultivated a digital and physical menagerie of censored mass media spanning South Asia to the Maghreb known as Khajistan.
Feature
Since 2019, the New York-based archivist has cultivated a digital and physical menagerie of censored mass media spanning South Asia to the Maghreb known as Khajistan.
News
Djerassi board members Michael Molesky and Alexander Maxwell Djerassi, nephew of Ghislaine Maxwell, visited the notorious private island in 2011.
Daily Newsletter
Plus Theresa Hak Kyung Cha’s first retrospective in 25 years, Larissa Pham’s debut novel about an artist and her predatory mentor, and the art collective reclaiming spirituality in art history.
Opinion
His new article taps into deep frustrations about affordability, but I throw my lot in with those making change, rather than moving out.
Feature
Through research and collaboration, a feminist art collective reclaims the place of alternative spiritualities in art history.
New York Newsletter
Read Aruna D’Souza’s take on the Iranian artist. Plus, Duchamp is coming to MoMA, Upstate art this month, and more.
Book Review
The art critic and former painter reinvents the genre’s well-trod territory in her debut novel, which makes heartbreakingly acute the consequences of teacher-student relationships.
Art Review
Learning about Cha was like a secret revelation handed down among Asian American artists and poets. This show helped me appreciate her more clearly.
Interview
“My favorite phrase lately is ‘mouthfeel,’ which is used in relation to food and drink,” said the East Village artist. “I’m thinking about that textural quality as a parallel to the paintings.”
News
The president's threats to destroy the Islamic regime have escalated to include the entire population of Iran and the millennia of history and culture preceding it.
Daily Newsletter
A show rewrites the narrative of the farmworkers' movement, a permanent home for Ruth Asawa in San Francisco, the museum reviving New York's downtown performance scene, and the discovery of a 7.9-inch Ancient Roman phallus.
Art Review
In Cinga Samson’s haunted paintings, we do not know what we are looking at, or where we are.