Opportunities
Opportunities in February 2026
Residencies, fellowships, grants, open calls, and jobs from the Helen Frankenthaler Foundation, the Rubin Museum, and more in our monthly list of opportunities for artists, writers, and art workers.
Latest
News
Does This Restored Roman Fresco Depict Italy’s Prime Minister?
The recent restoration, which bears an uncanny resemblance to far-right leader Giorgia Meloni, is currently under investigation.
News
Protesters Dressed as Marie Antoinette Roast “Melania” Film at Kennedy Center
The action unfolded during the $75 million film’s premiere, days before Trump announced the two-year closure of the performing arts center.
Feature
How Richard Wright Shaped John Wilson’s Protest Art
Wilson, like Wright before him, wrestled with the psychic toll of racial violence on Black families in his paintings and lithographs.
Feature
Tribeca Galleries Discuss Reporting Street Vendors, Drawing Criticism
A group of galleries met to address the “increased number of vendors” on and near Broadway, many of whom are immigrants under threat.
Opinion
After the Strike, Will Art Galleries Be Allies?
If deleting the social media post tomorrow would change nothing about how artists are paid or how resources are allocated, the gallery’s allyship is disposable.
Art Review
Eugène Atget, Readymade Icon
An exhibition retells the story of his discovery by Berenice Abbott, leaving out the details of a life defined by failure.
Book Review
Claude Cahun’s Survival Guide for the Ages
A new translation of the French artist’s 1930 memoir is a kaleidoscopic collection of dialogues, sketches, and Blakean proverbs.
Art Review
James Castle Was a World Unto Himself
These works feel almost metaphysically transportive — like a universe bound by a different set of rules that’s a pleasure to explore.
Sponsored
Announcement
Onassis AiR Opens Applications for 2026–27 Residencies in Athens
Participants receive an artist’s fee, a research budget, housing, round-trip travel, mentoring, and other resources to support their work.