Opinion
Looking at Chuck Close Through His Portrait of Bill Clinton
Something inside Clinton’s and Close’s psyche compartmentalized too much, echoing the grid of the portrait. Both inflicted far more harm than each realized.
Opinion
Something inside Clinton’s and Close’s psyche compartmentalized too much, echoing the grid of the portrait. Both inflicted far more harm than each realized.
News
The Pennsylvania Academy of the Fine Arts, which is currently hosting a show of Close's photographs, will put on a range of programs in light of recent sexual misconduct allegations against the artist.
News
Following accusations of sexual misconduct against Close and Roma, the National Gallery of Art has postponed solo presentations of their works.
News
In the wake of recent sexual harassment allegations against Close, four additional women have shared the stories of their encounters with the artist — including one who says he touched her.
News
Close explained his behavior after several women accused him of sexual misconduct during visits to his studio.
In Brief
Two women have come forward accusing Close of sexual misconduct, claiming he made vulgar comments to them after inviting them to his studio to pose for him.
Art
New York's Second Avenue Subway opened on January 1 after almost a century of planning, with new art installations by Chuck Close, Sarah Sze, Vik Muniz, and Jean Shin.
Art
HUDSON, NY — River Crossings, the recently opened show up at the historic Thomas Cole House and Olana, Frederic Edwin Church's architectural ode to Orientalism, over-promises and under-delivers.
Art
With America Is Hard to See, the exhibition inaugurating its luminous new Renzo Piano building, the Whitney has reclaimed its role among the city’s museums as the engine of the new.
Art
Next month, 28 contemporary American artists will infiltrate the homes of the two artists who are the "physical cornerstone of American art," as co-curator Stephen Hannock puts it.
Art
PARIS — This is a vision of a universalized eclectic global art in forward motion: a relational aesthetic that seems to hover over many exhibitions in France as a great correctness that cannot be questioned, only tampered with.
Art
PARIS — In a search for art that reacts to the inequalities of globalization, must art lose touch with the sort of grace that exceeds the hand, a grace that couldn’t be anything but artificial and technological?