Multiple posts about the film have been taken down on Twitter, many of them following the government’s removal requests.
In myriad ways, coming as it does in January, Sundance sets the stage for US cinema through the rest of the year.
Whether documentary, experimental, or somewhere in between, there is no shortage of intriguing Dominican films through which to consider life on the island.
Nina Menkes’s Brainwashed: Sex-Camera-Power wants to join the ongoing conversation about gender and film. The trouble is that it has nothing new to say.
Refugees of the Moria camp in Lesvos, Greece are behind the camera in the film Nothing About Us Without Us.
The 26th Ji.hlava International Documentary Film Festival’s Philippines retrospective highlights early documentation of the country, local responses to the Marcos dictatorship, and contemporary work.
Artist Jesse Krimes served six years in federal prison, creating artworks while incarcerated using the bare-bones materials at his disposal.
The Thief Collector goes beyond the 1985 theft of Willem de Kooning’s “Woman-Ochre” to explore the speculative history of the presumed thieves who held onto it for over 30 years.
We joined devotees of the photographer and activist at a screening of the new documentary All the Beauty and Bloodshed, followed by a talk with Goldin.
Documentaries about xenophobia, Black gospel music, and hazing are trenchant explorations of social issues in the South.
Laura Poitras’s All the Beauty and the Bloodshed follows Goldin’s fight against the Sacklers’ attempts to artwash their reputations as chief architects of the opioid epidemic in the United States.
The exhibition Porno Chic to Sex Positivity at the Museum of Sex traces how once-verboten depictions of sex became gradually acceptable in pop culture.