Art
“The Views of the Majority Don't Align with My Own”: Artists React to Brexit Vote
LONDON — After two days of torrential rain, I woke up at 6am this morning to bright sunshine, surely a sign that all would be well.
Art
LONDON — After two days of torrential rain, I woke up at 6am this morning to bright sunshine, surely a sign that all would be well.
Art
There has been a good deal of conversation in the last few years around the subject of Congressional district gerrymandering, a process by which the boundaries of an electoral constituency are manipulated to favor a political party or a class.
Art
PARIS — We have long loved our illusions.
Art
BERLIN — BB9 is so vacuous, ideologically apathetic, ahistorical, sarcastic, and dehumanizing, it’s a wonder it hasn’t been blacklisted solely on account of its conformity to commodity fetishism.
Art
Historical exhibitions tend to consistently draw large audiences — the curious, scholars, or just those who like a cracking good story.
Art
Artworld polymath Greg Allen has made an odd, ritualistic, perhaps metaphorical memorial.
News
Many reports have emerged of harsh labor conditions during the construction of museums on Abu Dhabi's Saadiyat Island, but the cultural institutions involved are showing no interest in discussing these violations with leading human rights groups.
Art
Venus Over Manhattan is sparely hung, dimly lit, and cavernous. The mood is somber, appropriate to 1% big money ventures and for contemplating 18 versions of Andy Warhol’s sinister “Little Electric Chair” (1964) canvases.
Art
BASEL, Switzerland — How many works by Alexander Calder are out there?
Opinion
LONDON — Much of the Brexit debate has focused on questions of economy, immigration, and security, which will be most impacted by the decision. But little has been said of the arts — one of the most multicultural industries in Britain today.
Interview
In 2012, New York-based artist and curator Christopher K. Ho wrote the essay “The Clinton Crew: Privileged White Art,” describing the aesthetic sensibility and political shortcomings of Brooklyn-based artists who grew up in the United States during the 1990s.
News
LOS ANGELES — It’s been a year since the entire incoming MFA class at USC’s Roski School of Art decided to drop out en masse, leaving the program with only one student this year, HaeAhn Kwon. In an open letter to Provost Michael Quick, Kwon announced today that she too would be leaving the program,