“Crux Australis 68.00”, the latest addition to the Rice Public Art collection, opens on December 13 in Houston, Texas.
Titled 8 x 5 Houston in reference to the minimum required square footage of a jail cell in Texas, the project featured designs by formerly incarcerated artists.
CAMH’s first exhibition in 1948 inspired its current show, which features work by Mel Chin, JooYoung Choi, Leslie Hewitt, Lisa Lapinski, Jill Magid, and Leslie Martinez.
Summoning Memories features artists of Chinese descent who negotiate the long legacy of Chinese calligraphy and ink painting through alternative approaches.
The Houston theater company sees its new production as a statement in defense of women’s rights statewide and beyond.
Impractical Spaces: Houston resurrects the stories of the city’s artist-run venues since 1947.
A panel discussion focuses on the making of Robert Motherwell Drawings: A Catalogue Raisonné, published by Yale University Press.
Colby Deal’s photographs capture very little on an individual basis, but an entire world when taken in aggregate.
Thirty-seven years after the artist’s death, a new exhibition proves that Oppenheim’s furry teacup was just one of her many daring artistic statements.
Two artists will each receive $20,000 in funding to help them become active cultural practitioners and research community-engaged creative practices.
Sikander’s retrospective Extraordinary Realities gathers together themes of female multiplicity, queer desire, capitalist exploitation, and decolonial aesthetics.
Hutson’s textured work honors and challenges his city across mediums in a long overdue exhibition.