Art
Jenny Holzer’s Blowtorch in the Darkness
When going too far is barely enough.
Art
When going too far is barely enough.
Art
LOS ANGELES — The current show at Sprüth Magers gallery, Eau de Cologne, has a title that might seem like a play on words (that’s what I initially thought), but it is actually quite straightforwardly unironic.
Art
WESTON-SUPER-MARE, UK — Someone really should have sent a disgruntled teenager to review Dismaland, the latest Banksy extravaganza: part amusement park, part art exhibition tucked away in an abandoned former resort complex at the British seaside town of Weston-super-Mare.
Art
There’s a bit of curatorial sleight-of-hand in I Dropped the Lemon Tart, the summer show at Lisa Cooley on the Lower East Side. The title refers to a real-life mishap in a restaurant kitchen where imminent culinary fiasco turned into a triumph of pluck and invention.
In Brief
When Dallas Cowboys fans turned up to their team's new stadium for the 2009–10 pre-season, they were greeted with a collection of Texas-size, blue-chip contemporary art.
Art
Frieze New York opens its doors to the public today, but already during yesterday's press and VIP preview the aisles were crowded, the common areas and restaurants filled with worn-out fairgoers, and it seemed as if the only empty seats were sculptures.
Art
The exhibitions that rippled through our cultural fabric over the past year, at least those occurring in and around New York, have registered the predictable number of highs and lows, though 2014 did manage to plumb one nadir unlikely to be matched for a good long time.
Art
Is an exhibition ever too beautiful for its own good? Jenny Holzer’s new show at Cheim & Read, Dust Paintings, is ravishing. But the sensuality of these text-based abstractions, done in oil on linen in mostly muted colors, runs counter to their content, which is derived from declassified government
Opinion
What happens when you combine Ray Rice, football, a meme, and Jenny Holzer?
Art
Censored, blown up by terrorists, and the subject of a four-year legal battle with Chase Manhattan Bank, Mimi Smith’s 1982 installation "October 1, 1981," an artwork inspired by television news, was briefly the subject of the news itself.
Art
Nancy Spero died in 2009 at the age of 83. The current exhibition of her hand-printed collages from the 1980s and 1990s, From Victimage to Liberation, at Galerie Lelong in Chelsea, is the first show in New York to focus on her work since her death.
Interview
Thirty-two years after being labeled the "first radical art show of the '80s," the Times Square Show, a raucous and revolutionary DIY art exhibition held in an abandoned massage parlor on 41st Street and Seventh Avenue in the old dirty and devastated Times Square, has been revived by the Hunter Coll