All the Beauty and the Bloodshed centers the artist’s campaign to stop the “artwashing” of the Sackler family’s role in the opioid crisis.
All the Beauty and the Bloodshed forcefully posits multiple parallels between the world Nan Goldin grew up in and the one she fights in today.
We joined devotees of the photographer and activist at a screening of the new documentary All the Beauty and Bloodshed, followed by a talk with Goldin.
Laura Poitras’s All the Beauty and the Bloodshed follows Goldin’s fight against the Sacklers’ attempts to artwash their reputations as chief architects of the opioid epidemic in the United States.
The seven shorts of the anthology The Year of the Everlasting Storm are impressively varied, given the constraints under which they were made.
These films illustrate both the undeniable threat of white supremacist capitalist patriarchy and the incomparable strength of Blackness.
The landscape of cinema has changed immeasurably in just 10 years. These 25 picks show how.
The 2010s were a seismic time for nonfiction filmmaking. Director Robert Greene considers how the craft has evolved, and continues to evolve.
We Can’t Even: Millennials on Film, a series of films at BAM about, by, and for millennials, is a rebuttal to the narratives that dominate the discourse around a generation’s priorities and perspectives.
The research group looks into the potential use of Sierra Bullets-manufactured bullets in Gaza, which prompted a response from the European Center for Constitutional and Human Rights.
Laura Poitras is an excellent filmmaker.
Citizenfour director Laura Poitras has filed a lawsuit against the US federal government for “Kafkaesque harassment” she says she’s endured in airports and border crossings because of her work.