These films illustrate both the undeniable threat of white supremacist capitalist patriarchy and the incomparable strength of Blackness.
Tag: Laura Poitras
Posted inArt
The Best Films of the Decade
The landscape of cinema has changed immeasurably in just 10 years. These 25 picks show how.
Posted inFilm
How the Decade’s Best Documentaries Chart Radical Changes in Filmmaking
The 2010s were a seismic time for nonfiction filmmaking. Director Robert Greene considers how the craft has evolved, and continues to evolve.
Posted inFilm
Millennial Cinema Without the Cheap Stereotypes
We Can’t Even: Millennials on Film, a series of films at BAM about, by, and for millennials, is a rebuttal to the narratives that dominate the discourse around a generation’s priorities and perspectives.
Posted inNews
Forensic Architecture’s Project at Whitney Biennial Reveals Museum Vice Chair’s Company May Be Complicit in War Crimes
The research group looks into the potential use of Sierra Bullets-manufactured bullets in Gaza, which prompted a response from the European Center for Constitutional and Human Rights.
Posted inArt
Laura Poitras’s Unimaginative Transition from the Screen to the Museum
Laura Poitras is an excellent filmmaker.
Posted inNews
‘Citizenfour’ Director Laura Poitras Sues US Government Over Harassment
Citizenfour director Laura Poitras has filed a lawsuit against the US federal government for “Kafkaesque harassment” she says she’s endured in airports and border crossings because of her work.
Posted inArt
Hotel Paranoia: An Embedded View of Edward Snowden
BERLIN — A spirit of “fearlessness and fuck-you” drove NSA whistleblower Edward Snowden to make his identity public, explains reporter Glenn Greenwald in Laura Poitras’s documentary, Citizenfour.
Posted inArt
An Intimate Portrait of Edward Snowden
Citizenfour, Laura Poitras’s documentary about Edward Snowden, premiered to a sold-out audience at the New York Film Festival on October 10.
Posted inNews
Transmediale Festival Shuts Down NSA Imitators
Julian Oliver and Danja Vasiliev, two artists participating in Berlin’s Transmediale 2014 (January 29–February 2), had an artwork summarily disabled at the festival last month because the piece uses the same technology as the National Security Agency (NSA) to hijack cell phone information.