Art
Melissa Meyer’s Lush Urban Glyphs
Working with line and color for more than two decades, Meyer has shown that reductive painting need not squeeze out improvisation.
Art
Working with line and color for more than two decades, Meyer has shown that reductive painting need not squeeze out improvisation.
Art
Meyer has turned Pollock’s all-over painting on its head.
Art
Quicktime takes its cue from Raphael Rubinstein’s “Provisional Painting,” published in the May 2009 issue of Art in America. In the essay, Rubinstein discusses a handful of artists who seem to “turn away from ‘strong’ painting” in favor of works “that look casual, dashed-off, tentative, unfinished o
Art
Since 2001, Melissa Meyer has continued to reinvent herself without severing her connections to Abstract Expressionism or, more particularly, the brushstroke and drawing in paint.
Art
Esopus 22: Medicine feels like a giant patient file for the cross between the medical and visual arts.
Art
Over the past decade, Melissa Meyer, rightfully characterized by David Cohen “as virtually without a peer as a lyrical abstractionist,” moved from the lyrical to the disjunctive.