Art Review
One Man’s Trash Is Another’s Art
An exhibition argues that human production — its surplus and waste — is a rising influential force in contemporary art.
Art Review
An exhibition argues that human production — its surplus and waste — is a rising influential force in contemporary art.
Art Review
The Book of Marvels is the kind of show that’s hard to avoid at archival art institutions, wherein problematic historical content, aesthetic appeal, and fantasy all intersect.
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The New York Public Library’s limited-edition design features late artist Houston Conwill’s cosmogram “Rivers,” inspired by a 1921 Langston Hughes poem.
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From lesser-known Meret Oppenheim works to Anna Weyant’s jewel-box paintings, this over-the-top New York fair is rich with gems waiting to be discovered.
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In the heart of the financial district, over 70 artists from across the African diaspora showed works to an eager VIP audience.
Features
Mary Ann Unger's massive biomorphic artworks, now on view in New York City, are shockingly prescient and powerful now more than ever.
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The invite-only fair includes downtown stalwarts, as well as emerging Tribeca galleries.
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Across the bridge, away from the perhaps buzzier Manhattan shows, The Other Art Fair and Conductor offer intimate opportunities to engage with artists.
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The new sculpture by artist Molly Gochman channels abstraction to honor and memorialize caregivers of all forms.
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The blue-chip art market inflates with anger and slams its fist if you keep pestering it with the nuisance of the outside world.
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At the fair's new and bigger Chelsea venue, I admired taxidermied crustaceans, homages to Puerto Rican life, and textures galore.
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Having launched in the choppy waters of the pandemic, the show has since nestled comfortably into New York’s busiest fair week.