Opinion
How Talking About Art Kept my Family Together During COVID
“Art is for fancy people,” my son Marc initially said. “We’re not fancy.”
Opinion
“Art is for fancy people,” my son Marc initially said. “We’re not fancy.”
Opinion
With art fairs grounded and galleries temporarily or permanently closed, more and more sales happened directly from artist to buyer.
Opinion
The development office thinks I love this museum. But no, I come to see the objects, just like I visit my friends.
Opinion
Jan Robert Leegte’s work demonstrates how today, as 150 years ago, low-res messages are meant to be experienced and enjoyed in the least amount of time.
Opinion
Will New York wake up one day and discover that speculation has cannibalized its creative industries, which underpinned the desirability of the real estate itself?
Opinion
Decolonizing the archive includes mobilizing students like mine to bethe decolonizers.
Opinion
Kahlo’s aesthetic reflects the vogue of her time: the mythologizing of a homogenized Indigenous past afforded by her proximity to whiteness and wealth.
Opinion
As a class, we spent a semester talking about museums without being able to visit a single one. Could this inability allow us to imagine different kinds of museums?
Opinion
The revolutionary imagery of its toppling has been replaced in public consciousness with a picture of its rigidly horizontal body in the museum.
Opinion
Despite the British Museum’s active participation in work towards restitution, the current display and captioning fail to be forthright or responsible.
Opinion
Northstar was a disjointed golem of communal trauma, carrying the weight of 40 years of contradictory stereotypes.
Opinion
Juneteenth being a federal holiday and anti-racist pledges of allegiance ain’t gonna cut it anymore.