“By allowing Shell to sponsor this exhibition, the Science Museum is helping to boost the company’s cynical greenwash,” said Jess Worth, co-director of Culture Unstained.
The exception for the Queen is part of an act established in 2017 allowing police the power to search areas where they suspect stolen artifacts may be held.
Two scientists from London’s Natural History Museum will be assisting NASA’s team in their research about the potential for past life on Mars.
The protest balloon, which depicts the outgoing US president as a disgruntled infant, has toured the world since it was unveiled in 2018.
After the mural appeared on the for-sale home, its owners swiftly took the house off the market to consider their next steps.
Serpentine Galleries’ “Future Art Ecosystems” emerges as an odd but occasionally insightful case study of the impact of the broader institutional shift to the digital realm.
Cosmic Dancer casts Clark as an artist who refuses to be pinned down by a single discipline or style, though its kaleidoscopic approach occasionally loses sight of Clark himself.
“Empire and Collecting,” a new self-guided tour, reflects an attempt to help visitors understand the colonial origins of the collection.
Unveiled just ahead of the holiday, Chila Kumari Singh Burman’s installation is sure to leave Londoners with a sense of warmth and light amid the gloomy winter months.
Not Without My Ghosts demonstrates the way mediumistic art practices unsettle the narratives of Modernism, specifically in relation to automatism and the development of abstraction.
With Mangrove, Lover’s Rock, and Red, White and Blue, McQueen’s Small Axe anthology emphasizes resilience and collective strength.
Julian Assange is facing 17 espionage charges and one charge of computer misuse.