A “show within a show” at the Whitney Biennial pays homage to the visual and literary art of Theresa Hak Kyung Cha, whose life was cut short through an act of brutal violence.
Whitney Biennial
The Whitney Biennial Is Dangerously Quiet About US Imperialism
The absence of an explicit framing of American art, in all of its diversity, as a visual culture of empire distorts and hampers our ability to understand — and reimagine — our social world.
Here Are the 63 Artists In This Year’s Whitney Biennial
This year’s show is the first since a tumultuous 2019 edition rocked by protests over former trustee Warren B. Kanders’s connections to tear gas manufacturing.
The Whitney Biennial Has Been Postponed to 2022
The next biennial, previously slated for the spring of 2021, has now been delayed by a year due to the pandemic.
David Breslin and Adrienne Edwards Will Curate the 2021 Whitney Biennial
Edwards and Breslin, two of the museum’s in-house curators, will curate the 80th edition of the biennial.
The Whitney Museum Launches Digital Resource for Past Biennials
The open archive provides public access to information about artists and their artworks dating back to the biennial’s first edition in 1932.
Whitney Museum Announces 2019 Biennial Participants, But One Artist Withdraws
Artist Michael Rakowitz withdrew his participation, opposing the “toxic philanthropy” of Whitney vice chairman Warren Kanders.
The Violence of the 2017 Whitney Biennial
One of the themes of this year’s Whitney Biennial appears to be violence, and not every artist has the ability to transform it into a successful work of art.
An Omnivorous Tour of the 2017 Whitney Biennial
See highlights from the 2017 Whitney Biennial, which opens to the public later this week.
Put Texas Quail Rigs in the Whitney Biennial
There are no Texas quail rigs in the Whitney Biennial, but then again New York casts a long shadow of bullshit over American aesthetics, its credentialed scenesters busy strip-mining consumer culture to produce elaborate corporate pranks.
2014 Whitney Biennial to Feature 3 Curators on 3 Floors
In the New York Times, Carol Vogel reports on the future of the Whitney Biennial, that ever-controversial summary of American art. For the 2014 edition of the show, there are a few new surprises — mainly, that the old, monolithic model of curating has been totally dismantled.
Poor Forrest, Dead and Gone
To walk into the artist Robert Gober’s installation of paintings, photographs and writings by Forrest Bess — a visionary painter and self-described, self-surgically-altered “pseudo-hermaphrodite” — was to encounter art frontloaded with (as the reader put it) “cultural significance while also being visually intoxicating, or mesmerizing, you can choose a description.”