“Immersive” feels like one of the key terms by which to gauge what is happening in the contemporary arts scene — immersive environments, immersive experiences. Going hand in hand with this theme, the projects at the latest edition of Spring/Break Art Show, titled In Excess, deepen and extend that feeling of immersion by being hallucinatory, obsessive, and ravishing. From the moment I stepped off the elevator, I felt all of the above while walking through the show.
I immediately took to Scooter LaForge‘s installation (curated by Joshua Nierodzinski) of paintings, textiles, and ceramic. The entirely baroque dinner table setting featured cups and plates gilded with a thin rim of gold, all upcycled or recycled, which made me appreciate the work more.
I picked up the theme of living under the threat of climate change in several projects. The one I appreciated the most was Rachel Schmidt‘s “Vanishing Points” (curated by Dawne Langford), which uses video projections, furniture, and a host of single-use consumer items to construct a vision of opulence set in a dystopian future where we have at last collectively depleted the earth of most of its natural resources. Schmidt’s installation is foreboding, yet inviting, precisely because of its ravishing footage, shot in Taiwan and Scotland.
I felt lucky to run into LJ Roberts, with whom I had a studio visit about a year ago, during which we discussed her textile van piece, which is here titled “Vantasy Vehicle Vessel Veroshop” (2020), a kind of obsessively nurtured tribute to van culture and queer women.
I also ran into Anna Cone, (who I remembered from last year’s Spring Break) who was showing with Victoria Udondian, Max Colby, and Kirstin Lamb. Their “Tableau Vivant” project is a celebration of sumptuous paintings and textiles and ornate design.
Lastly, I found myself ensconced in what felt like an ethereal, surreal film when I walked into an installation curated by Sarah Darro (with artists Sarah Wertzberger, Heath West, and Robert Raphael). I was further impressed by the title of the installation: “total work of art.” I loved that they resisted using the synonymous German term, which is frequently wielded as a kind of art scene shibboleth. This is how Spring/Break feels each time I visit: a total work of art I’m welcome to dive into, regardless of what language I’m conversant with.
Lebanese art dealer Georges Lotfi, who once helped authorities seize looted antiquities, is now accused of doing his own share of trafficking too.
An exhibition depicts how people have reimagined the medieval period in the centuries since, and how they have revealed their own interests and ideals with each new interpretation.
The Newark Museum of Art Presents Jazz Greats: Classic Photographs from the Bank of America Collection
Photographers Antony Armstrong Jones, Milt Hinton, Chuck Stewart, Barbara Morgan, and more capture a breadth of legendary and local musicians and performance artists. On view through August 21.
During his 84-year life, Liu Shiming helped shape a new Chinese cultural image rooted in the contributions and sacrifices of everyday people.
Playing at several film festivals this late summer, Ana Vaz’s It Is Night in America asks the viewer to take on unusual perspectives.
Art and photographs, publications from the 19th and 20th centuries, manuscripts, posters and more are set to cross the auction block on August 18.
The sealant used for gem-crusted ancient Maya teeth had medicinal properties that prevent tooth infections and decay, according to a new study.
Patrons can listen to a collection of 400 titles at the library and borrow them for up to three weeks.
The Los Angeles-based photographer offers an updated version of the mythologized American cowboy, calling rodeos “the traditional drag of America.”
At its core Line Berg’s Fra Far manifests the anguish of a family whose loved one is convicted of a serious crime.
At first, simply watching people read In Search of Lost Time might seem dull; by the end, you’ll be itching to read or reread it yourself.