The COVID-19 pandemic has changed life all around the world, whether it is in San Francisco, where inhabitants are forced to stay indoors by a shelter in place order, or the whole country of Canada, which has just closed its border to the US and will not allow non-essential visitors into the country. Here in New York, Hyperallergic reporters have been talking to those impacted by the virus and how it is wreaking havoc for businesses, nonprofits, and arts institutions of all types. In this episode, I’m joined by two Hyperallergic reporters, Hakim Bishara and Valentina di Liscia, to discuss what we’re seeing, hearing, and experiencing regarding COVID-19’s impact on the art scene.
A special thanks to Eric Drass of Shardcore for the music to this week’s episode. Based on COVID-19 DNA sequence from the NIH, Drass’s complete two-hour track can be found on Soundcloud and you can learn more about the artist at the Shardcore website.
An extraordinary variety of artists came to Jon Swihart and Kim Merrill’s backyard potlucks, discussing not just their work, but also the events and challenges of their lives.
With A Lion for Every House at the Art Institute of Chicago, Floating Museum riffs wildly on the art rental programs of some museums.
The Newark Museum of Art Presents Jazz Greats: Classic Photographs from the Bank of America Collection
Photographers Antony Armstrong Jones, Milt Hinton, Chuck Stewart, Barbara Morgan, and more capture a breadth of legendary and local musicians and performance artists. On view through August 21.
A Thing for the Mind takes Philip Guston’s 1978 painting “Story” as a starting point to examine the myriad ways in which this piece has filtered into the work of other painters.
An Oakland librarian and a French teacher in Oklahoma City collect ephemera they discover in returned and used books, from photos and recipes to love letters.
Art and photographs, publications from the 19th and 20th centuries, manuscripts, posters and more are set to cross the auction block on August 18.
Until you’ve seen a place for yourself, it’s a bit of an abstract idea. So why not ask Artificial Intelligence to create your travel poster?
Incarcerated people will be allowed to read Heather Ann Thompson’s 2016 Blood in the Water, except for two pages featuring a map of the prison.
The long-lost painting resurfaced at the upscale Urban Gallery in Tel Aviv, sparking the anger of Palestinians.
“Guests in love, please understand — most of the exhibits in our museum are objects ‘born’ many years ago and subject to completely different moral standards,” said the Fort Gerhard museum in a statement.
This week, the Webb space telescope wows, übernovels, crappy pigeon nests, the problem with “experts,” and much more.