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The pandemic has taken a serious toll on the cultural sphere, with institutions large and small shuttering worldwide. But in one niche sector of the industry, business is booming: animal museums, the new pastime of quarantining art-loving pet owners everywhere.
Hyperallergic reported on the first-ever Gerbil Museum in London and the Gecko Museum in Texas, and even brought you a scoop on a Kusama room for a very VIP lizard in California. Today, we celebrate the art that is turning shoeboxes into white-cube galleries for confused-looking animals that are none the wiser with a roundup of the best pet museums and spaces, in no particular rank:
The Piggenheim Collection, New Jersey
Move over, Peggy: this two-year-old, impeccably-groomed guinea pig from New Jersey with a sharp eye and expensive taste may just dethrone one of the art world’s most well-known patrons. The Piggenheim Collection is the brainchild of Maisie the guinea pig’s owner Teresa Mistretta and includes the rare “Self Portrait Dedicated to Dr. DoLittle,” after Frida Kahlo, as well as “The Treachery of Vegetables,” a spin on French surrealist René Magritte’s famous “Ceci n’est pas une pipe.”
Musée de BudgerigART, Delaware
The name of this cutting-edge, open-layout institution founded by Rebecca Keen is a clever pun on “budgerigar,” a species of small parrots also known as budgies. Its visitors are just as creatively named: Sweetie Bell and Fluttershy, inspired by the popular kids’ show My Little Pony and chosen by Keen’s daughter; Sean-Oliver; Juliette; and the fittingly-christened Starry Night. (Mortimer and Tracer, Keen’s two other budgies, declined to participate; they probably think art is for the birds.)
The museum is complete with a site-specific and interactive aerial sculpture that would make Alexander Calder wish he had become an ornithologist.
Bubba the Turtle’s Gallery
Exclusive images from the opening of Bubba the Turtle’s salon-style group exhibition were first leaked by former football player George Foster on his Twitter. He attributes the thoughtful curatorial endeavor to his daughter Jada, who has paired a Klimt-like abstraction with such staples of the art historical canon as Grant Wood’s “American Gothic,” a work we’ve seen again and again in tours of the new fauna-friendly institutions.
Bubba could not be reached for comment, but a museum spokesperson said they would just be a shell of a turtle without art in their lives.
The Kusama Reptile Room, California
Yayoi Kusama’s beloved “infinity rooms” can attract hundreds of thousands of people, some of whom wait in line for hours to experience just a few minutes in the hypnotic environments. You may be jealous to know, then, of a reptile in California with a Kusama room of their very own. But before you accuse them of being just another cold-blooded collector amassing blue-chip works in their mansion, take note: The Reptile has mild metabolic bone disease, and the sunny Kusama installation serves as a sort of “basking box” to make sure he gets his required UVB light therapy, according to owner Valeran Lothaniel.
Word on Instagram, however, is The Reptile also had a lavish virtual reality garden installed last week, with flowers by artist Tahnee Gehm. We’re starting to think he needs to, uh, scale back on his acquisitions.
The Gecko Museum, Texas
Poussin and the Dance is a valiant attempt to break into Poussin’s staunchly academic oeuvre and provide a relatable point of entry, highlighting the exciting elements of revelry and movement despite impenetrable and unemotional rendering.
Anarchist illustrator N.O. Bonzo produces decentralized media in a highly bureaucratic cultural landscape. Their illustrations, murals, and literature emerge in unexpected places, from the streets of Portland, Oregon, to the far ends of Reddit and Twitter, addressing relations of labor and identity in the workplace and on the streets. Growth and care are central themes…
This exhibition explores how images of the human body were used to provoke profound physical and emotional responses in viewers from the 15th through 18th centuries.
With scavenged materials, Amanda Maciel Antunes constructs a motherland.
Where are the directors taking the stage to acknowledge workers’ demands today?
The collaborative handmade paper- and printmaking center at the Pennsylvania Academy of the Fine Arts publishes new works by Liz Collins and Sarah McEneaney.
There is a debate whether the memory of Little Syria should be seized upon to tell truthful and positive stories about Arabs in the US, or whether any conflation between its history and contemporary politics is inappropriate.
The profile includes works by Egon Schiele, Amedeo Modigliani, Peter Paul Rubens, and a prehistoric Venus of Willendorf figurine.
These horrifying dolls definitely won’t murder you in your sleep.