In 2019, five Philadelphia projects were selected to receive $15,000 each for the inaugural Added Velocity Award, a regranting initiative administered by Temple Contemporary at the Tyler School of Art and Architecture and funded by the William Penn Foundation. The grantees — APIARY, Black Quantum Futurism, Creative Resilience Collective, Grizzly Grizzly, and The Reentry Think Tank — were selected to receive further support due to their achievements as 2018 Velocity Fund Grantees.
Andrea Ngan from Creative Resilience Collective (CRC) marveled that Added Velocity “has helped us see that there are grantors that value our model of youth leadership at the intersection of art and mental health.” CRC used the fund toward stipends for the teens they work with, materials for their zines and posters, and to support nearly a year’s worth of facilitations.
Of all the Added Velocity grantees, CRC is the youngest, having formed in 2017. At the other end is APIARY, a community-sourced literary magazine, which was founded in 2009 and is run by a team of volunteers. APIARY used Added Velocity to fund free writing workshops and to produce APIARY 11: The Essential Issue.
Steve Burns, the Project Director of APIARY, expressed that being able to provide support to the staff was the “bedrock” that allowed for broader and better support to the Philadelphia community. He remarked, “Receiving these funds has allowed us to see a future for APIARY as a sustainable organization that works in a consistent rhythm of production.”
The basis of Black Quantum Futurism’s (BQF) practice is recognizing time as a commodity that is often withheld from Black and brown people, and from womxn and gender non-conforming folks in particular. The collaborative duo, Camae Ayewa — aka musician Moor Mother — and Rasheedah Phillips, used funds from Added Velocity to distribute 60 Black Womxn Temporal Portal Toolkits. The toolkits were given out in tandem with BQF’s annual gathering, Black Womxn Time Camp, which is a series of workshops centered on time travel and giving participants the tools to, as Rasheedah Philips described, “prepare us for Black quantum womanist futures.”
Also looking to the future is Reentry Think Tank (RTT), an advocacy group that builds connections between returning citizens and artists. Together, they are changing the public perceptions of incarceration and fighting for progressive changes in Philadelphia. After receiving Added Velocity, RTT funded a touring exhibition for their Reentry Bill of Rights. Although the exhibition is currently unavailable due to the pandemic, Co-Director Courtney Bowles is confident that RTT will eventually be able to, “Connect the stories and demands of the Reentry Think Tank fellows with thousands of Philadelphians across the city.”
Grizzly Grizzly is also using Added Velocity to share their practice with the public. Based in Philadelphia for over 10 years, Grizzly Grizzly is looking to build connections with neighbors and folks outside their social network. According to member Amy Hicks, Grizzly Grizzly will continue to develop a number of projects to build engagement, including digital publications, walking tours, artist talks, and virtual exhibitions.
– Logan Cryer, 2020
This week, LA’s new Academy Museum, the intersections of anti-Blackness and anti-fatness, a largely unknown 19th century Black theater in NYC, sign language interpreters, and more.
Titian’s paintings are masterpieces, with all the complications of the term.
Through “Historic Site,” an 8-foot-tall plaque and Historic Sight, a year-long rotating exhibition in Pittsburgh, the Black Cube Fellows investigate how history is constructed, remembered, and retold.
Lawson’s images, and the ways that she has discussed her process, seem to be actively reproducing the kind of big-dick energy power dynamics of White male artists who also claim mastery over their subject matter.
Jenkins’s new short film, the centerpiece of a MoMI exhibit on The Underground Railroad, uses his signature techniques to confront the viewer.
Romanticism to Ruin: Two Lost Works of Sullivan and Wright memorializes Chicago’s Garrick Theatre and Buffalo’s Larkin Building, which were razed to build a parking lot and a truck stop.