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The City of New York will put some artists to work this summer with a $25 million program inspired by the New Deal’s Works Progress Administration (WPA). Announced yesterday, May 6, the recovery program will pay hundreds of local artists to beautify and activate public spaces across the city with murals, public artworks, performances, and more.
The new program, called City Artist Corps, is expected to create jobs for more than 1,500 artists in NYC, a fraction of more than 56,000 artists living in the city (as of 2015). At a news conference yesterday, New York Mayor Bill de Blasio named the depression-era WPA as a direct inspiration for the initiative.
“We’re going to take inspiration from that model and bring it to today,” de Blasio said. “The City Artist Corp is going to employ artists as part of the comeback of New York City.”
New York’s arts sector was hit hardest during the COVID-19 pandemic, according to a report by the state comptroller in February. The report found that two-thirds of arts, entertainment, and recreation jobs in the city evaporated in 2020. An ever deeper crisis faces immigrant artists in the city, who report diminished livelihood sources with little to no aid from local authorities.
Gonzalo Casals, the city’s recently appointed Cultural Affairs Commissioner, called the NEW program a “historic investment in local artists.”
“A recovery for all has to include culture, which is such an important part of healthy, vibrant neighborhoods,” the commissioner said in a statement. “Building on efforts to lift up all residents and spur New York’s recovery, the City Artist Corps will bring public spaces to life in all five boroughs and make sure the Summer of New York City is a Summer of Art.”
While staying as a house guest, a naked Le Corbusier defiled Gray’s minimalist, color-blocked walls that were only restored in 2015.
Keep your friends close and your bad art friends closer.
Hear from Holly Jean Buck, Carolina Caycedo and David de Rozas, Simon Denny, Elizabeth Hoover, Renee Kemp-Rotan, Joseph Kunkel, and more at this free public event.
In his new book, Tyler Green argues that landscape was Emerson’s method of glorifying territories shaped and bordered by white men.
“The 52-hertz Whale,” which sings a song at a frequency no other whale uses, is a social media phenomenon. But this film shows that the phenomenon says more about us than whales.
EFA Open Studios offers a portal into the creative habitats of over 65 artists working in Manhattan’s longest-running studio program, including Dannielle Tegeder, Wafaa Bilal, Cui Fei, and Anina Major.
The unvarnished photographs celebrate the lives, beauty, and resilience of an oppressed group at Chile’s social peripheries in the 1980s, and the series was recently acquired by MOCA in Los Angeles.
51 international publishers and galleries showcase their latest editions in prints and artists’ books at this free public fair, which is fully online this year.
The University of Virginia researchers wrote that the data “provides compelling evidence that these symbols are associated with hate.”
We are waiting for spectacle and when the quotidian, yet incongruous actions occur I wonder whether there is any real payoff coming.
Tanega’s approach to mark-making comes across as stream of consciousness, as if she’s engaged in a conversation with herself.