Can “Rubenesque” Be Feminist?

Rubens & Women argues that, far from objectifying his models, the artist depicted a nuanced female body.

Can “Rubenesque” Be Feminist?
Peter Paul Rubens and Frans Snyders, "Diana Returning from the Hunt" (c. 1623), oil on canvas (courtesy bpk | Staatliche Kunstsammlungen Dresden | Elke Estel | Hans-Peter Klut)