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Anyone who’s read this knows that I’m a fan of arty text generators. They’re just so … clever. And, when they’re done well, scarily accurate. Sometimes satire really is the best form of criticism, especially when the language involved is demonstrably predictable.
So I was extremely pleased this afternoon when Museum Nerd tweeted the Lazy Curator Random Exhibition Title Generator. Conceived by Rebecca Uchill, a PhD student at the Massachusetts Institute of Technology, and programmed by Ben Guaraldi, the site, well, generates amazing exhibition titles at the click of a button. Here’s a sampling:
Arbitrary Relevance: 15 Years of Progress
Decadent Chemistry: John Waters and the Avant Garde
The Politics of Extravaganza: A Juried Show of Change
Parsing Charm: The Video Art of Dilettantism
And a personal favorite:
The Politics of (Im)Possibilities: Constructing a Praxis of Sameness
I think I’ve seen that show. Or at least read the press release somewhere.
Part of the reason the generator is so convincing is that its titles are true to life. “Most of the vocabulary from the titles came from exhibitions, articles or conversations that were in my orbit at the time,” Uchill explained over email, with “that time” referring to February 2010, when she created the site. But the generator not only springs from life; it’s also affected it in a completely unexpected way: people have actually started using it to title their shows. Uchill sent a handful of examples that have come her way, including this Kansas City exhibition, this one in Galway, and this one in Chelsea.
From these we may conclude that a good percentage of exhibition titles are bullshit. But since we all know this, we may as well laugh about it and enjoy the video art of dilettantism.
Poussin and the Dance is a valiant attempt to break into Poussin’s staunchly academic oeuvre and provide a relatable point of entry, highlighting the exciting elements of revelry and movement despite impenetrable and unemotional rendering.
Anarchist illustrator N.O. Bonzo produces decentralized media in a highly bureaucratic cultural landscape. Their illustrations, murals, and literature emerge in unexpected places, from the streets of Portland, Oregon, to the far ends of Reddit and Twitter, addressing relations of labor and identity in the workplace and on the streets. Growth and care are central themes…
This exhibition explores how images of the human body were used to provoke profound physical and emotional responses in viewers from the 15th through 18th centuries.
With scavenged materials, Amanda Maciel Antunes constructs a motherland.
Where are the directors taking the stage to acknowledge workers’ demands today?
The collaborative handmade paper- and printmaking center at the Pennsylvania Academy of the Fine Arts publishes new works by Liz Collins and Sarah McEneaney.
There is a debate whether the memory of Little Syria should be seized upon to tell truthful and positive stories about Arabs in the US, or whether any conflation between its history and contemporary politics is inappropriate.
The profile includes works by Egon Schiele, Amedeo Modigliani, Peter Paul Rubens, and a prehistoric Venus of Willendorf figurine.
These horrifying dolls definitely won’t murder you in your sleep.