Artists Threaten to Sue Venice Biennale

Plus, Trump’s threats to arts education and why artist Saif Azzuz should be on your radar.

Saif Azzuz, the Bay Area-based Yurok artist of Libyan descent whose genre-defying works distill ancestral wisdom and local traditions, seems to be everywhere. The resonance of his assemblages, sculpture, paintings, and installations might have something to do with their ability to reflect on contemporary urgencies — climate, capitalism — with a rare thoughtfulness. On the heels of Azzuz’s new outdoor commission at Storm King Art Center, reporter Max Blue profiles the artist who wants to point us to “the interconnectedness of all things.” 

In the news, the tumult continues at the Venice Biennale, where artists now say leadership failed to honor their request to withdraw from this year’s awards. You’ll remember a group of pavilion and exhibition artists removed themselves from awards consideration in solidarity with the jury, which resigned en masse against the backdrop of opposition to Israel and Russia’s inclusion. Read Staff Writer Rhea Nayyar’s update, and the Biennale’s latest response.

—Valentina Di Liscia, senior editor


The Sun Is Shining on Saif Azzuz

Bay Area-based artist Saif Azzuz has been exhibiting around the world, from his first solo museum show at the Blaffer Art Museum at the University of Houston last year to his first solo gallery show in West Asia earlier this year. Across galleries, museums, and outdoor sculpture, he connects Indigenous land practices in California, the Hudson Valley, and beyond.

He's showing no signs of slowing down. | Max Blue

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Announcing the 2026 McKnight Visual Artist Fellows

Designed to support mid-career Minnesota artists, the fellowship provides each recipient with a $25,000 stipend, professional development, a residency, and more.

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News


Focus on Philadelphia

Radical Reclamation at the First-Ever ArtPhilly Festival

As President Trump threatens to turn the 250th anniversary of the United States’s founding into a MAGA rally, a brand-new arts festival in Philadelphia offers alternative plans. What Now: 2026, the inaugural edition of ArtPhilly’s planned biennial, features more than 30 original artistic commissions taking place across the city where the Declaration of Independence was signed.

Hyperallergic joined the artists and organizers for the festival’s opening week, finding little nationalism and a lot of radical reclamation. Read on for three highlights of the program. | Greta Rainbow

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Book Excerpt

Edward Hopper’s Distinctly American Solitude

American bombast is, more than anything, a mask, which Hopper understood well. | Ed Simon

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Community

Remembering Alan Saret, Julio Le Parc, and Hilde Lynn Helphenstein

This week, we honor a postminimalist sculptor, a Pop Art legend, and the satirist behind “Jerry Gogosian.”

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Member Comment

When reading John Yau's piece on Celia Paul, I was reminded 5 months ago I watched an interview titled, "Me, myself and I: Meet Celia Paul, the solitary self-portrait artist exposing herself" high lighting her exhibition in Warsaw that much like Yau's, explores the creative life of Paul. Last year Karl Ove Knausgaard published in the New Yorker his recollections of two interviews with Paul. What struck about Knausgaard's piece is that it was more about Knausgaard and how her art affected him. The Warsaw interview and John Yau's observations are, to the contrary, about the artist. Yau has the capacity to put her work in context, a quality I like to read and learn from. Being a quality critic is quite a challenge only a few seem to have achieved.

Butch Murphy on “Celia Paul Transcends Her Own Mythology


From the Archive

Ron Norsworthy’s Revolution of Queer Black Male Self-Love

Norsworthy and I sat down to discuss his recent works, which wield the Ancient Greek myth of Narcissus to examine the power of beauty, who defines it, and how we can reclaim it. | Damien Davis

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