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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Edward M. Gómez

Edward M. Gómez is a graphic designer, critic, arts journalist, and author or co-author of numerous books about art and design subjects, including Le dictionnaire de la civilisation japonaise, Yes: Yoko Ono, and The Art of Adolf Wölfli: St. Adolf-Giant-Creation. He has written for the New York Times, Art in America, the Brooklyn Rail, Salon, Reforma (Mexico), the Japan Times (Japan), and other publications. Edward is the senior editor of Raw Vision, the London-based, international, outsider-art magazine. He is based in New York and London.

Posted inArt

Monumental Art No Bigger Than a Postcard

by Edward M. Gómez November 7, 2020November 7, 2020

Toying with blob-like shapes and the illusion of depth, the Austrian self-taught artist Leopold Strobl packs mystery and expressive power into small-scale drawing-collages.

Posted inBooks

When Japan Reinvented Filmmaking

by Edward M. Gómez October 17, 2020November 5, 2020

A new book looks at a heady time in the 1960s, when avant-garde Japanese artists explored genre-blending intermedia and expanded cinema.

Posted inArt

Tom of Finland Comes to Japan

by Edward M. Gómez September 26, 2020November 5, 2020

Out, proud, and unabashedly homoerotic, the gay artist’s iconic imagery has become an international symbol of freedom.

Posted inBooks

The Life of an Anti-Establishment “Rock Star”

by Edward M. Gómez September 12, 2020November 5, 2020

In a first-ever biography of the recently deceased, Polish-born sociologist and theorist, there are lessons for creative people — and everyone else — about perseverance and personal truth.

Posted inArt

The Prison Drawings of Frank Jones

by Edward M. Gómez August 29, 2020November 5, 2020

Frank Jones was “double-sighted” — born with a caul over his left eye — which gave him, or so it was believed, the power to communicate with the spirit world.

Posted inArt

When Writing Has No Meaning

by Edward M. Gómez August 8, 2020November 5, 2020

Scrivere Disegnando is an exhibition of more than 300 works produced by 93 artists whose subject is imaginary language.

Posted inArt

A Triennale In Tune With Our Pandemic-Affected Moment

by Edward M. Gómez August 1, 2020November 5, 2020

In the face of climate change, economic and political convulsions, and the coronavirus pandemic, it is our modes of living and of occupying our planet that we must urgently modify.

Posted inBooks

Shaking Up the Ethnographic Museum

by Edward M. Gómez July 18, 2020November 5, 2020

In a new book, the curator and art historian Clémentine Deliss proposes that “ethnographic” artifacts be reconsidered, remediated — and maybe even returned to their original owners.

Posted inArt

Fighting to Save a Fringe Landmark

by Edward M. Gómez July 4, 2020November 5, 2020

One of central London’s few remaining alternative arts venues struggles to survive in the face of a 333% rent increase.

Posted inArt

Hauntingly Beautiful Photos for an Anxious Moment

by Edward M. Gómez June 20, 2020November 5, 2020

On Instagram, Kana Hashimoto’s images of nocturnal Tokyo unwittingly capture the odd feeling of time itself as the coronavirus pandemic drags on.

Posted inBooks

Malcolm McLaren’s Life of Chaos, Music, and Art

by Edward M. Gómez May 23, 2020May 23, 2020

In a new, in-depth biography, Paul Gorman offers a vivid portrait of the postmodernist impresario who conjured up punk’s angry pose, the Sex Pistols, and much more.

Posted inBooks

The Media’s Brave New World

by Edward M. Gómez May 9, 2020May 8, 2020

Two new books focusing on journalism and news, and on how they are delivered, offer expansive visions of what “the media” have become.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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