A Poetics of the Press illustrates how invaluable firsthand accounts are to historicize a moment and medium.
Author Archives: Megan N. Liberty
Megan N. Liberty is the Art Books section editor at the Brooklyn Rail and co-founder of Book Art Review. Her writing on artist books, ephemera, and graphic novels also appears in Artforum.com, ArtReview, frieze, and elsewhere. Find her on twitter @meganlib.
Posted inBooks
A Year of Struggle in Words and Images
Manjit Thapp’s first full-length graphic novel, Feelings, charts a young woman’s emotional journey through South Asia’s six-season calendar.
Posted inBooks
A Conceptual Compendium of Conceptual Art
Flipping through Seth Siegelaub’s collection of writings and interviews is a bit like diving into an archive without a finding aid, as exhilarating as it is overwhelming.
Posted inBooks
How Kuniko Tsurita Broke the Mold for Women Comic Artists in Japan
The Sky Is Blue With a Single Cloud shines a light on Tsurita’s short but innovative career.
Posted inBooks
The Poetry of Love and Textspeak
Simina Banu’s poetry celebrates those who speak of love and loss in the language of emojis and memes, and have had our hearts broken by a text message.
Posted inArt
Tauba Auerbach’s Sculptural Art Books
Much like her bookworks, Auerbach’s catalogue S v Z deserves to be examined as a sculptural object before we unfold its cover and consider its contents.
Posted inBooks
Enter the Humorously Awkward World of a “Long-Distance Cartoonist”
Brilliantly paced, Adrian Tomine’s latest graphic novel takes readers from discomfort to laughter in just a few panels.
Posted inArt
A Deep Dive Into Sarah Charlesworth’s Image Archive
An important aspect of Charlesworth’s practice is her longstanding engagement with publishing: she was an active writer and critic, and made several artist books and photo catalogues.
Posted inArt
A Digital Archive Mines the Depth of Design
The digital Letterform Archive has made nearly 1,500 objects accessible to browse online through over 9,000 high-resolution images.
Posted inArt
Mickalene Thomas Makes the White Cube a Domestic Oasis
Thomas’s Femmes Noires reframes the gallery space, allowing viewers to alter their behavior from what’s expected in an art institution.
Posted inArt
Literary Drawings Foreshadow an Apocalyptic Future
Robyn O’Neil’s oversized, multi-panel graphite drawings resemble a graphic novel told across multiple walls and rooms. This narrative storytelling makes sense, as O’Neil’s cited influences are more literary than artistic.
Posted inArt
The Unseen Labor of Women in Art
Sara VanDerBeek’s new print series, Women & Museums, interrogates how women occupy institutional spaces, particularly through the prominence of traditionally craft media like ceramics and textiles.