Art Review
Memory Becomes Form in the Art of Candida Alvarez
Abstraction and representation bleed into one another in the same way that memories momentarily coagulate into images before dissolving again.
Natalie Haddad is Reviews Editor at Hyperallergic and an art writer and historian. She holds a PhD in Art History, Theory and Criticism from the University of California San Diego and has written extensively on modern and contemporary art.
Art Review
Abstraction and representation bleed into one another in the same way that memories momentarily coagulate into images before dissolving again.
Guide
From Saya Woolfalk’s hyperrealism to Ben Shahn’s Social Realism, our favorite shows at the moment are all about building and improving worlds.
Art Review
A survey of work by the pioneering Mexican feminist artist reimagine landscapes and home interiors as sites of political and emotional tension.
Guide
From Julia Margaret Cameron to Chloe Dzubilo, to 150 years of the Art Students League of New York, “visionary” is a theme in the shows below.
Art Review
As an HIV-positive trans woman and advocate, Dzubilo faced challenges that should have been history by the early 2000s, yet persist today.
Guide
Whether it’s Hilma af Klint finding the soul in nature or a new perspective on chinoiserie at The Met, the shows below are about seeing things differently.
Art Review
The artworks in Spora, unfolding over three years at the Swiss Institute, linger in the mind, its interconnections multiplying like spores.
Art Review
Her Nature Studies invoke the promise of something greater, a direct line from the material world to the spiritual experience that art is presumed to offer.
Guide
A new translation of a beloved Argentine comic, artists over 50 tell their stories, diasporic Puerto Rican art history, and more to enjoy by the seaside (or your A/C).
Guide
Spirituality, magic, and transformation are recurring themes in some of our favorite exhibitions on view, from Mestre Didi to Renée Stout.
Art Review
The Brazilian artist and Candomblé priest established an international art practice that foregrounded diasporic African perspectives.
Guide
From Glenn Ligon’s critique of society’s ills to Diane Arbus’s complicity in them, the solo shows below provide plenty of food for thought.