Feature
Tribeca Galleries Discuss Reporting Street Vendors, Drawing Criticism
A group of galleries met to address the “increased number of vendors” on and near Broadway, many of whom are immigrants under threat.
New York
Art Review
Eugène Atget, Readymade Icon
An exhibition retells the story of his discovery by Berenice Abbott, leaving out the details of a life defined by failure.
Art Review
James Castle Was a World Unto Himself
These works feel almost metaphysically transportive — like a universe bound by a different set of rules that’s a pleasure to explore.
Art Review
Michelle Segre’s Impermanent Worlds
By remaining open to time and its effects, Segre’s art defies the idea of permanence often associated with both sculpture and empire.
Interview
The Moment Caravaggio Became Caravaggio
What can an early painting tell us about an Old Master? We asked the Morgan Library’s curator to find out.
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Announcement
Pratt Manhattan Gallery Presents “RugLife”
Sculptural carpets, woven works, and reimagined textiles by 14 contemporary artists examine housing, technology, social justice, and the environment.
News
Studio Museum Closed for the Week After Water Damage
A “sprinkler emergency” at the newly reopened Harlem institution forced staff to evacuate visitors
New York Newsletter
Jeff Koons’s Trumpian Reflections
The African diaspora pictures itself, Edward Zutrau draws seismographic lines, and more to get you through a freezing week in New York.
News
Influential Art Dealer Marian Goodman Dies at 97
The gallerist who put many European artists on the map in the US described her approach as finding a “humanistic concern” across different visual practices.
Art Review
The African Diaspora Pictures Itself
A new exhibition rejects Western colonialism as a framework for understanding African aesthetic production.
News
Studio Museum Evacuates Visitors After “Sprinkler Emergency”
Videos show water pouring from the ceiling near the gift shop in the institution’s brand-new building.
Art Review
Jeff Koons’s Reflective Sculptures Mirror the One Percent
When I picture where Koons’s sculptures belong, I think about Trump’s plan for a 90,000-square-foot ballroom, and the art collectors who funded it.