Trump’s Unhinged Attacks on the Smithsonian

The White House accuses the public institution of “extreme activism”; plus, an interview with queer icon Carmelita Tropicana.

In the Trump administration’s latest attack on the Smithsonian Institution, the White House published a 162-page report on July 4 accusing the organization of “extreme political activism” and “anti-White activism.” The document is a severe escalation of President Trump’s ongoing crackdown on diverse narratives and the telling of United States history. His administration goes after specific museum exhibits in the new report, including something as innocuous and well-meaning as a butterfly-shaped protest prop symbolizing resilience among undocumented immigrants. 

It seems a fitting time, then, to revisit work that prods, challenges, and even mocks authority from the margins. Don’t miss Natalie Haddad’s interview with the hilarious, irreverent Carmelita Tropicana (aka Alina Troyano), a lesbian performance artist and doyenne of New York’s downtown theater scene who subverts the stereotype of the “Latin spitfire.”

—Valentina Di Liscia, senior editor


Trump Accuses Smithsonian of “Anti-White Activism” in Draconian New Report

More than a year after President Trump ordered his administration to investigate so-called “race-centered ideology” at the Smithsonian Institution, the White House has published a new report accusing museum leadership of promoting “extreme political activism.”

Published on July 4, “Saving America’s Story” was authored by the Trump-appointed Domestic Policy Council. Throughout the 162-page document, the council scrutinizes how the institution’s National Museum of American History (NMAH) portrays topics such as race, immigration, and gender. | Isa Farfan

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Other News

  • A jewel heist took place early on July 5 at a museum in France. The band of thieves smashed several display cases on the gallery floors and made off with 27 pieces of fine jewelry worth approximately €4 million (~$4.5 million).

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San Francisco Art Book Fair Celebrates 10 Years

Presented by Minnesota Street Project Foundation, SFABF returns this July, welcoming 160 independent publishers from around the world.

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Queer Elders

Carmelita Tropicana Was Born Out of the Closet

Hyperallergic spoke with artist Alina Troyano about lesbian performance in 1980s Lower East Side, satirizing stereotypes, and embodying her iconic alter ego. | Natalie Haddad

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Bard MFA Presents 2026 Thesis Exhibition in Barrytown, NY

“Reassembly: The Class of 2027 Thesis Performances and Exhibition” will be held in the Bard College Massena Exhibition Center from July 11-19, 2026.

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From Our Critics

The Ruthless Portraits of Elizabeth I’s Reign

An exhibition in London traces how depictions of the monarch projected an image of authority, power, wealth, and the right to be regarded as a god in all but name. | Michael Glover

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In Two Chicago Exhibitions, Liberation Takes the Floor

Shows at MCA Chicago and Wrightwood 659 chart a path from colonial dispossession to the possibilities of dance, music, and community. | Laura Zornosa

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Books

The Met Museum’s Staff Have Some Thoughts About the Art

A new book gathers essays by the museum’s curators, researchers, librarians, and conservators on everything from Renaissance portraiture to the work of Wendy Red Star. | Anna Lee

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Member Comment

Love this final paragraph! Yep, sadly I believe Damien Davis is spot on with this assessment of the art market. That said, it does appear that many savvy artists are taking charge with new tools to guide their own careers and sales. I admire their dexterity in the world of today. For my practice I find that it is much to much to manage with tools that bring little satisfaction. Just copied this last paragraph to hang in my studio for comfort. Thank you.

Nancy Arthur-McGehee on “Everything Is Not Fine in the Art World


From the Archive

Why Don’t We Talk About Race in Fairy Tales?

Characters in fairy tales “are white not by chance, but by design,” Kimberly J. Lau writes in a new book. | Tamar Boyadjian

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